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Oxford: Rolleiflex Tele – part 2

Thursday, September 19th, 2024

Here are some more pictures from my Rollei Tele which I was using last week in Oxford. The sun drops quite quickly this time of year and the maximum aperture on the Rollei Tele is f4 which meant I was struggling in areas of shadow so I rated this roll at ISO 200 to give myself a little breathing room. I spot metered for the darkest shadows (in some cases black fabric) and I like how these have turned out – not too contrasty.

The first picture below is the closest focussing distance with the built-in lens and the second picture down is with the clip-on close-up lenses. Same exposure. Notice how the depth of field changes and how the background falls nicely out of focus. I really like how the texture in the black leather coat has turned out.

[Tech info:] Rollei Tele, Ilford FP4 rated at ISO 200, developed in Promicrol 1+14.

20240919_Oxford_Rollei-Tele_FP4_ISO200_Promicrol_01_web 20240919_Oxford_Rollei-Tele_FP4_ISO200_Promicrol_02_web 20240919_Oxford_Rollei-Tele_FP4_ISO200_Promicrol_03_web 20240919_Oxford_Rollei-Tele_FP4_ISO200_Promicrol_04_web 20240919_Oxford_Rollei-Tele_FP4_ISO200_Promicrol_05_web 20240919_Oxford_Rollei-Tele_FP4_ISO200_Promicrol_08_web

Oxford: Rolleiflex Tele – part 1

Tuesday, September 17th, 2024

Some years ago I bought a Rolleiflex Tele which has a 135mm f4 lens and my plan was to use it for portraits with a flatter perspective than you can achieve with the standard 80mm lens. The problem I found was the minimum focussing distance is quite limiting when you want to create a head and shoulders portrait. Clip-on lenses are required to focus closer and this clunky design put me off using it. Last week I decided to dust it off and try it out for general photography without the clip-on lenses. The shots below are from my first roll testing it out. It’s a heavy beast to walk around with for any length of time but I really enjoyed the reach compared to the standard lens and the image snapped into focus nicely which made focussing a breeze.

[Tech info:] Rolleiflex Tele, Ilford FP4 @ ISO 64, developed in Promicrol 1+14.

20240917_Oxford_Rollei-Tele_FP4_ISO64_Promicrol_001_web 20240917_Oxford_Rollei-Tele_FP4_ISO64_Promicrol_003_web 20240917_Oxford_Rollei-Tele_FP4_ISO64_Promicrol_004_web 20240917_Oxford_Rollei-Tele_FP4_ISO64_Promicrol_006_web 20240917_Oxford_Rollei-Tele_FP4_ISO64_Promicrol_007_web 20240917_Oxford_Rollei-Tele_FP4_ISO64_Promicrol_008_web 20240917_Oxford_Rollei-Tele_FP4_ISO64_Promicrol_009_web 20240917_Oxford_Rollei-Tele_FP4_ISO64_Promicrol_010_web

Gear: Rolleiflex SL66 & 125mm f2.5 Leitz lens

Monday, September 18th, 2023

Recently I came across an interesting lens I was curious to try out – a Leitz 125mm f2.5 modified for use on a Rolleiflex SL66. The lens was originally designed for use on a 35mm format system but amazingly it covers 6×6 without any issues. The previous owner carried out the modification and it’s very nicely done. Here are the first test shots from a photowalk with a photographer mate of mine.

[Tech info]: Rolleiflex SL66, 125mm f2.5 Leitz lens, shots 1-3 Ilford FP4, the rest are Ilford HP5, developed in Adox XT-3 stock.

20230902_SL66_125mmf2.5-Leitz_FP4_XT-3_003_web 20230902_SL66_125mmf2.5-Leitz_FP4_XT-3_005_web 20230902_SL66_125mmf2.5-Leitz_FP4_XT-3_006_web 20230902_SL66_125mmf2.5-Leitz_HP5_XT-3_01_web 20230902_SL66_125mmf2.5-Leitz_HP5_XT-3_04_web 20230902_SL66_125mmf2.5-Leitz_HP5_XT-3_05_web 20230902_SL66_125mmf2.5-Leitz_HP5_XT-3_06_web 20230902_SL66_125mmf2.5-Leitz_HP5_XT-3_009_web 20230902_SL66_125mmf2.5-Leitz_HP5_XT-3_010_web

Endeavour 7: FILM 3 – part 8

Sunday, March 5th, 2023

Behind the scenes photography during filming of Endeavour 7 | FILM 3 in Oxford, October 2019. These pictures are long overdue and I apologise to the SA’s in these pictures who have been waiting patiently to see them, especially the man holding the newspaper who I frequently saw on subsequent series of Endeavour and every time I would promise the pictures would be posted. I got there in the end!

[Tech info:] Rolleiflex 2.8F, TMAX 400 @ ISO 800, developed in TMAX developer 1+4.

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Endeavour 9: FILM 1 – part 3

Friday, March 3rd, 2023

Behind the scenes during filming of Endeavour 9 | FILM 1 in Oxford, May 2022. I used a few different rolls of film through my Rolleiflex at this location because there were quite a few different setups which gave me enough time without too much of a rush.

[Tech info:] Rolleiflex 2.8F, Kodak Tri-X film developed in HC-110 dilution B.

20220523_Endeavour_S9E1_New-College_2.8F_Tri-X_HC110_01_web 20220523_Endeavour_S9E1_New-College_2.8F_Tri-X_HC110_03_web 20220523_Endeavour_S9E1_New-College_2.8F_Tri-X_HC110_04_web 20220523_Endeavour_S9E1_New-College_2.8F_Tri-X_HC110_05_web 20220523_Endeavour_S9E1_New-College_2.8F_Tri-X_HC110_06_web 20220523_Endeavour_S9E1_New-College_2.8F_Tri-X_HC110_08_web 20220523_Endeavour_S9E1_New-College_2.8F_Tri-X_HC110_10_web 20220523_Endeavour_S9E1_New-College_2.8F_Tri-X_HC110_11_web

Endeavour 9: FILM 1 – part 1

Wednesday, March 1st, 2023

Behind the scenes photography during filming of Endeavour 9 | FILM 1 in Oxford, May 2022. This was in the fellows garden of New College, a location previously used when Endeavour chases a pickpocket out onto New College Lane in series 7. I was excited to see a Polaroid SX70 camera being used in this scene and it was fully functioning. The props guy was too young to have seen one of these cameras before so I explained how to operate it and loaded a fresh pack of film for him.

[Tech info:] Rolleiflex 2.8F, Fuji Pro 400H film, Fuji Frontier scans.

Max grid

Endeavour 7: FILM 3 – part 5

Wednesday, February 26th, 2020

Behind the scenes during filming of Endeavour 7 | FILM 3 in Merton college, Oxford at the end of October, 2019. These shots are from two different days that the crew spent in Merton College making good use of the lovely grounds and some of the rooms (second unit also filmed a brief scene on Merton Street). Fortunately we had nice weather the whole time, dry but very cold.

[Tech info:] Rolleiflex 2.8F, Zeiss Planar, Fuji 400H (expired), Noritsu scans.

20191027_Endeavour_S7E3_Merton_2.8F_400H_01_web 20191027_Endeavour_S7E3_Merton_2.8F_400H_03_web 20191027_Endeavour_S7E3_Merton_2.8F_400H_04_web 20191027_Endeavour_S7E3_Merton_2.8F_400H_06_web 20191027_Endeavour_S7E3_Merton_2.8F_400H_07_web 20191027_Endeavour_S7E3_Merton_2.8F_400H_11_web 20191027_Endeavour_S7E3_Merton_2.8F_400H_12_web 20191028_Endeavour_S7E3_Merton_2.8F_400H_01_web 20191028_Endeavour_S7E3_Merton_2.8F_400H_04_web 20191028_Endeavour_S7E3_Merton_2.8F_400H_08_web

 

Endeavour 7: FILM 3 – part 4

Tuesday, December 17th, 2019

These shots were from the final day of filming on Endeavour 7 | FILM 3 at the studio that has some of the interior sets. Along with Anton Lesser we have Steve (standby carpenter) and Grant (third assistant director). For some unknown reason there is a mottling on the film which I haven’t experienced before. I developed this roll exactly the same as hundreds of others previously so I can’t work out how this was caused during development. More shots to come after UK broadcast.

[Tech info:] Rolleiflex 2.8F, Zeiss Planar, Ilford Delta 400 developed in Ilford DD-X 1+4.

bright_web

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Oxford: Endeavour 7, FILM 3 – part 3

Sunday, November 10th, 2019

Behind the scenes during filming of Endeavour 7 | FILM 3 in Merton College, Oxford. More pictures to follow after UK broadcast – no spoilers here.

[Tech info:] Rolleiflex 2.8F, Zeiss Planar, Fuji 400H (expired), Noritsu scans.

20191027_Endeavour_S7E3_Merton_2.8F_400H_02_web 20191028_Endeavour_S7E3_Merton_2.8F_400H_02_web 20191028_Endeavour_S7E3_Merton_2.8F_400H_07_web 20191028_Endeavour_S7E3_Merton_2.8F_400H_10_web 20191028_Endeavour_S7E3_Merton-roll2_2.8F_400H_01_web 20191028_Endeavour_S7E3_Merton-roll2_2.8F_400H_02_web 20191028_Endeavour_S7E3_Merton-roll2_2.8F_400H_03_web 20191028_Endeavour_S7E3_Merton-roll2_2.8F_400H_04_web

Day for night: Endeavour 7, FILM 1 – part 3

Tuesday, September 3rd, 2019

On the August Bank Holiday this year, hottest day of the year so far, the Endeavour crew were hard at work at an undisclosed location and I was fortunate enough to spend the day with them – needless to say it was a scorcher on set. I can only share a few images to avoid spoilers but plenty of others will follow after this episode is broadcast. This was the first time I’d used Lomography 800 film in 120 format and because the sun was setting the light level in the shade was low so I rated the film at ISO 1280 and had it pushed one stop by the lab.

[Tech info:] Rolleiflex 2.8F Zeiss Planar, Lomography 800 film, ISO 1280, pushed 1 stop in development, Noritsu scans.

20190826_Endeavour_S7E1_House_2.8F_Lomo-800_01_web 20190826_Endeavour_S7E1_House_2.8F_Lomo-800_02_web 20190826_Endeavour_S7E1_House_2.8F_Lomo-800_03_web 20190826_Endeavour_S7E1_House_2.8F_Lomo-800_06_web

Oxford: Endeavour 6, FILM 4 – part 5

Friday, June 7th, 2019

Some behind the scenes photography during filming of Endeavour 6 | FILM 4 in Oxford, October 2018. After filming some scenes in the main quad of Teddy Hall the action moved out to New College Lane. This was late in the afternoon with rapidly fading light as I recall. The light seemed to suit the mood of the scene.

[Tech info:] Rolleiflex 2.8F Zeiss Planar, Ilford HP5 film.

Endeavour_S6E4_2.8F_HP5_001_web Endeavour_S6E4_2.8F_HP5_002_web Endeavour_S6E4_2.8F_HP5_003_web Endeavour_S6E4_2.8F_HP5_005_web Endeavour_S6E4_2.8F_HP5_007_web Endeavour_S6E4_2.8F_HP5_008_web Endeavour_S6E4_2.8F_HP5_009_web Endeavour_S6E4_2.8F_HP5_011_web Endeavour_S6E4_2.8F_HP5_012_web

Oxford: Endeavour 6, FILM 3 – part 2

Tuesday, February 26th, 2019

Behind the scenes photography during filming of Endeavour 6, FILM 3 – CONFECTION. The location for the day was the Oxford Union – these pictures are from the William Morris room which is decorated in beautiful Willam Morris wallpaper. I have photographed inside this room many times because the OUABC team use it to warm up in for the Town vs Gown boxing competition. The Endeavour art department did a wonderful job of transforming this room and I’ll post more detailed pictures soon.

[Tech info:] Rolleiflex 2.8F, Zeiss Planar, Kodak Portra 400 film. Noritsu scans.