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Oxford: Lunch hour session

Sunday, August 19th, 2012

These images are from the second half of a roll I shot during my lunch hour photo walks a few weeks ago. The first half of the roll is here. I’ve got a bit of a backlog of images to scan and post but I’ll have more time in the coming weeks to catch up so if you haven’t seen your portrait yet don’t worry, it’s more than likely coming soon.

[Tech info:] Mamiya C330f and 105mm lens loaded with Fuji Acros 100 film, Processed in Rodinal 1:25.

Lock and load. There's not much some WD40 can't fix.

Coffee break on the Walton Street construction project.

This guy was a bit camera shy. I like his flat cap and rolled up jeans.

David, a fellow film photographer carrying a camera that I don't own. A real beast of a medium format.

Olympic photographer from Uruguay. He didn't speak any english but somehow I managed to communicate with him. I'm sure he was intrigued by my camera.

Scaffolding on the Walton Street construction project at the corner of Little Clarendon Street.

 

Oxford: Lunch hour session

Wednesday, August 8th, 2012

After months of rain we finally had a short lived spell of dry weather. These images are from the first half of a roll of film I shot recently during my lunch break. We are now back to wet/overcast weather. Is it summer yet?
I used this roll to experiment with a different developer that I usually use with this brand of film and so far I like the results. My developer of choice for Fuji Acros 100 film is Kodak HC110 but with this roll I used Rodinal at a dilution of 1+25.

[Tech info:] Mamiya C330f with 105mm lens loaded with Fuji Acros 100 film, processed in Rodinal 1+25.

This gentleman wasn't keen to be photographed but after we chatted a little about photography he seemed okay with it. I hope he agrees that it was worth stopping for.

This man called me over after he saw me photographing the building project on the corner of Walton street. We had a good chat. He's a local musician.

This girl was waiting for a friend outside Brasenose college. The friend turned up right before I made this shot. She's standing to camera right just out of frame.

High street. I like the arrows in this frame.

A Police speed trap on St Giles. I saw a few cars being pulled over for speeding. Easy money.

The building project on the corner of Walton Street and Little Clarendon Street is beginning to take shape.

 

 

Oxford: BMX riders

Monday, July 23rd, 2012

Some more images from my series documenting a local BMX ramp and the people that use it. The first images were made in the morning of my first visit there (Saturday), these were made in the afternoon and the following morning (Sunday).  I found that once the sun had moved around in the afternoon the light was a lot less contrasty and perfect for the group shot of the BMX riders. The group shot was not pre-arranged, the riders had arrived while I was setting up for the shot of the two people sitting on the middle of the ramp. I think they were intrigued by the old skool camera I was using but they were naturally cautious when I asked if I could make a group shot of them. I knew the shot would be worthwhile and once I focused the image on the ground glass screen I was sure it would be. Fortunately I had a sheet of Fuji Veliva Transparency film with me so I was able to make a colour image as well but I’ll try to process that later in the summer. The film is quite expired so there’s no knowing how it will turn out.

The shot of the two BMX riders almost didn’t happen. The rider on the right is Pipe Williams, I photographed him on Polaroid earlier in the summer during Eights Week and we’d loosely arranged to meet up at the ramp during the morning. Just when I thought he wasn’t going to show I started to pack my camera away and it was then that he arrived with another rider. I like how this shot has turned out and the sun went behind a cloud just at the right time to reduce the contrast. They’re both sponsored by Stolen BMX, a bike company.

[Tech info:] Wista 10×8 with Sinaron 300mm lens on green sensitive x-ray film, processed in Rodinal 1:50 for 6 mins.

BMX riders.

Pipe Williams (right) with friend.

I forgot to ask these two guys whether they're skateboarders or BMX riders.

This ramp is due to be torn down at the end of the summer and a new one built.

Middle of the ramp.

A behind the scenes shot of the camera I used.

 

Oxford: Skaters and riders

Sunday, July 22nd, 2012

There is a ramp near my house that is used by skateboarders and BMX riders. It’s been there a very long time. Originally there were two but the higher one slowly rotted away so it was torn down. This weekend I decided to make some portraits there of whoever I came across as a way of documenting the ramp and the people that use it. On my way over there I found out that the ramp is due to be demolished and a new one is going to be built in its place. I’m glad I found this out now rather than when it was too late. My old middle school is next door to where this ramp is so I can remember the time before the ramp was there. I can also remember a time before BMX was popular in the UK. It all started with the movie E.T.

[Tech info:] Wista 10×8 camera with Sinaron 300mm lens on green sensitive x-ray film (ISO 50), processed in Rodinal 1:50 for 6 mins.

Skateboarders. These guys were leaving just as I arrived. Thanks for stopping.

A photographic first? BMX action shot on 10x8.

 

X-ray film test #2

Tuesday, July 3rd, 2012

A couple more portrait tests with large format 10×8 inch x-ray film. So far I’m very pleased with the results. I want to do some more portraits with this film so please get in touch if you’d like to be photographed.

[Tech info:] Toyo 810G, Nikon 300mm lens @ f11, green sensitive x-ray film rated at ISO 50, processed in Rodinal 1:50 for 6 mins.

Andy in my studio.

Andy, one light studio test.

 

Oxford: Lunch hour session

Thursday, June 7th, 2012

These images are from the first roll of film through my Rolleiflex SL66 on the day that I received it. As I bought the camera sight unseen it was clear to me early on that the camera and I were going to get along just fine. One of the many nice things about using manual mechanical film cameras is not having to spend time navigating unfamiliar menus or having to trawl through an instruction manual just to change one simple setting. You just set the exposure, compose, focus and then *click*.

[Tech info:] Rolleiflex SL66 camera with Zeiss Planar 80mm/f2.8 lens, loaded with expired Kodak Tri-X film. Processed in Rodinal (1:50) by me.

Estate agents' window, Walton Street, Oxford.

Walton Street, Oxford.

Walton Street, Oxford.

Right after the previous fruit and veg shot I turned around and grabbed this shot. There was a coach blocking this Mini from turning, that's why the driver looks so unhappy.

 

X-ray film test

Monday, May 14th, 2012

This is my first test with using 10×8 inch x-ray film instead of regular black & white film. Why? Because it’s cheaper. Another benefit is that you can handle it under a red safelight in the darkroom just as you can black & white paper so you can actually see what you’re doing. This not only applies to when you’re handling and loading the film into the film holders but also when you’re processing the film. A slight downside is that the surface of the film is very fragile and prone to scratching (it’s coated with emulsion on both sides) so extreme care is needed when handling. I first became aware of this film and the ability to use it instead of regular film from fellow photographer Mat Marrash via Flickr. I have him to thank for pointing me in the right direction and there have been some other photographers on Flickr that have since demonstrated how good this x-ray film really is.

The first shot below is the Lock keeper’s cottage at Iffley. For my first test with this film I didn’t want to travel a long way with the big 10×8 camera so I decided to walk to a location not too far from my house. My hope was to not only find something of interest to photograph that wasn’t going to move but also to do a test portrait as well. I figured that Iffley Lock is never short of people passing through and I’ve always meant to make a nice shot of the Lock keeper’s cottage so that location was an easy choice.

Once I had set up the 10×8 camera by the side of the Lock it was no surprise that people kept stopping to admire it. The camera looks like it’s 100 years old but 30 would be more accurate.  After I had made a few different test shots of the cottage and one of the Lock I had two sheets of film left. Lucky for me it was then that a lady came past with her three children and they stopped to ask me about the camera I was using. After a brief chat I offered to make a test portrait and they were kind enough to oblige. I have to say that these three kids were perfect subjects to photograph because they listened to everything I explained and they were able to sit perfectly still. Someday I hope to be able to say the same about my daughter 🙂

After I finished the portrait I let the kids peek under the dark cloth while their mum sat on the bench. It was lovely to hear them shriek with laughter as they saw the image of their mum upside down on the ground glass screen. It was then that it struck me that this was probably the first time that these kids had looked through a camera like this. They’re the digital generation coming into contact with something that couldn’t be more analogue. Hopefully they’ll remember how much fun it was. My thanks to the nice lady and her kids that stopped to chat and be photographed. I hope you like the shot.

[Tech info:] Wista 10×8 with Nikon 210mm lens. X-ray film rated at ISO 100 (it probably should have been 50), processed in Rodinal 1:50 (others use 1:100) for 7mins.

Lock keeper's cottage, Iffley.

My first portrait on x-ray film. I'm pleased with how this turned out.

 

Oxford: Lincoln College Ball 2012 part 4

Friday, May 4th, 2012

Here’s the 4th batch of images from the Lincoln College Ball 2012. These were all shot on film and there are plenty more to come. One of the many things I love about using film is the fact that it takes time to create the images. Sometimes well over a week or more has passed between me processing the film and scanning it and in that time I’ve often forgotten what was on the film in the first place. Take some of these shots for example. It’s not quite 7 days since I shot these images but as I was sorting through them just now there are at least a few frames that I don’t remember making so coming across them is not only a surprise but also a treat. I was aiming to post new images every day this week but I’ve been feeling unwell the past couple of days, sorry about that. Lots more to come from the Lincoln Ball (both film and digital) and I’ll be photographing at the Keble Ball tomorrow night so there’s lots to look forward to from that too.

I’d love to photograph at the upcoming Oriel Ball so if anyone can hook me up with permission to photograph there it would be much appreciated!

Shots from the beginning of the evening before the rain started.

Oxford: 10×8 large format camera

Thursday, April 26th, 2012

I’m a huge fan of large format photography and I bought my first large format camera (a 5×4 inch Wista) back in 1990. At the time I was an assistant in a commercial photography studio where a lot of the work we did was car advertising photography for Rover which was shot on a 10×8 inch camera. The photographer I worked for has since retired from commercial photography and he’s been kind enough to let me borrow the same 10×8 inch camera that he used for all of the advertising work. It’a a big camera (four times the size of my 5×4 camera) and it’s also quite heavy. Only recently have I been able to find a rucksack big enough to hold it and last weekend I was finally able to take it out on the streets of Oxford which was lots of fun. I was only able to take 4 sheets of film with me on my outing because the combined weight of the camera, rucksack, lens and tripod all added up to quite a hefty load to be walking for 45mins into town with. I made it there and back in one piece and I can’t wait to do it again.

[Tech info:] Wista 10×8 camera with 300mm/f5.6 lens. Adox 100 film processed in Rodinal (1:50 dilution).

Wista 10x8 camera with a smaller lens than the one I took out on my session.

Here's the camera with a smaller lens than the one I ended up taking with me.

 

Ground glass screen

The view that I see from underneath the dark cloth. Image by Paolo Polzella.

 

Negatives drying in the darkroom

Negatives drying in the darkroom.

 

First shot, Turl Street, Oxford.

 

Street portrait

Street portrait, Turl Street. I made this shot in a hurry because this guy had to get back to work at the coffee shop down the road .

 

Morris dancers

Morris dancers, Broad Street, Oxford. Unfortunately this one has a processing problem where I didn't add enough film developer to cover the sheet of film.

 

Oxford: lunch hour session

Monday, April 16th, 2012

Something a little different from my usual lunch hour sessions here because I don’t usually go to the pub at lunch time. A meeting I had at work ended up running over by almost an hour which meant my lunch break was later. I took this opportunity to break from my usual routine of walking into town and instead I explored the neighbourhood around where I work. The benefit of this was I had a lot more time to shoot because usually I only get 30mins to shoot as my walk into town and back is 15mins each way. The relaxed change of pace was nice and as it was a sunny day with a clear sky the light was very harsh and contrasty which resulted in great shadows around.  The following day I was back to my old routine again but I think I might mix things up a bit from now on.

[Tech info:] Mamiya C330f and 80mm lens loaded with Fomapan 200, processed in Rodinal 1:50 for 11mins at 20c.

Concrete staircase

Stairway to...

Tree shadow

I love this shadow

The Rickety Press pub interior

On my travels I ended up going inside The Rickety Press pub which was recently renovated. The light and shadows inside were fantastic.

old books

Old books on display and for reading.

old book spines

I liked the ornate spines on these books.

classic old penguin books

Penguin classics behind the bar.

OUP

Back to work.

radcliffe square oxford

Day 2. 'Cool camera' they said as I walked past. 'Thanks' I said, 'let me make a quick portrait of you with it'. Click!

Outside Brasenose College where some construction work is going on.

I thought the 3D glasses were cool and the contrast of outfits. On the steps of the Clarendon Building.

A men's tailoring shop recently opened in Little Clarendon Street and this is one of the tailor's working there.

Portraits: Powerlifters part 2

Tuesday, March 13th, 2012

Here are the portraits of the Cambridge powerlifting team that I made at the Oxford v Cambridge Varsity 2012 competition. At least I think they’re all from Cambridge, I didn’t ask. The last portrait is a friend of the Oxford team who had come to help out and give some support.

[Tech info:] Mamiya RZ67 and 110mm lens with Fomapan 200 film, processed in Rodinal 1:50. The last portrait is on Fuji Acros 100 film.

 

Alex Katsis

Calvin

Chris White (the dark line down the middle seems to be a fault in the film emulsion.)

Wil Solano

Alp Notghi

Max Frenzel

Oliver Gam

Portrait 8 (Oxford)

Portraits: Powerlifters part 1

Monday, March 5th, 2012

When I went to see the powerlifting during the Oxford V Cambridge Varsity competition my main intention was to make portraits of some of the guys. There was something about the light and ambience of the building where the competition was being held that made me think of old vintage photographs of wrestlers and strongmen. The walls looked like black boards that I remember from school and there was a nice pattern made by chalk dust all over. As soon as I saw it I knew I wanted to use it as a background for my portraits. Fortunately I was able to set up my camera in a corner that was out of the way of the guys as they warmed up before the competition.

I made portraits of both sides, Oxford and Cambridge but I feel it’s only right to post some of the Oxford portraits first, not least because the first three guys below all won. I’m really pleased with how all of my powerlifting images turned out and I’m hoping to carry on with some documentary style photography during future training sessions if I can get permission.

[Tech info:] First two portraits were on Fuji Acros 100 film, processed in Kodak HC110 B (1:31), last two portraits were on Fomapan 200 processed in Rodinal 1:50. My camera was a Mamiya RZ67 with 110mm lens.

powerlifter portrait

Jamie van Reijendam

powerlifter portrait

Richard Stebbing

powerlifter portrait

Geoffrey Lynn

powerlifter portrait

Alex Robinson