Behind the scenes photography during filming of Endeavour 9 | FILM 1 in Oxford, May 2022. The location was New College fellows garden which isn’t within the main New College grounds but tucked away on the opposite side of New College Lane.
[Tech info:] Leica M6, 50/2 Voigtlander Nokton and 75/1.8 Voigtlander lenses. Ilford FP4 film developed in HC110 1+31, Pakon scans.
Some pictures from Oxford Matriculation this year, the first time this event has taken place in-person since 2019. Fortunately it didn’t rain. Students from Jesus college were a particularly lively bunch this year, I enjoyed photographing them. This is always a tricky event to photograph due to all the black and white fabric – you’d be hard pressed to find a higher contrast situation. Add backlighting to the mix and all bets are off for a nice tonal range. This year I took a variety of cameras with me, more to follow.
[Tech info:] KIEV 60, Arsat 30mm f3.5 fish-eye lens, mix of films (FP4 and Delta 100 pushed 1 stop).
The last few portraits I made at the Oxford Beard Festival 2022. Thank you to everyone that stood very still for me. I’m pleased with how the portraits turned out.
[Tech info:] Sinar P 10×8, Dallmeyer 3A lens, f8 3D printed Waterhouse stop. Fomapan 100 (expired 2017) ISO 50, Kodak HC110 1+63 10mins.
More portraits from the Oxford Beard Festival 2022. Part 1 is here. I’ve noticed that the depth of field differs in some of my beard festival portraits and thinking about it now I’ve got a feeling it’s because I tilted the camera forward or back depending on the height of the person I was photographing. In hindsight I should have kept the back of the camera vertical and raised the lens or the centre column on the tripod. Something to remember next time.
[Tech info:] Sinar P 10×8, Dallmeyer 3A lens, f8 3D printed Waterhouse stop. Fomapan 100 (expired 2017) ISO 50, Kodak HC110 1+63 10mins.
The first and only time I photographed the Oxford Beard Festival was in 2015 – you can see those pictures here. Ever since then I have been thinking about and this year I finally managed to make it there again. This time I wanted to use a 10×8 large format camera but the slight hiccup being the weight of my kit was far too much for me to carry on my back and the venue for the event was a pub on the river without any access by car. I decided the only way to do it was to transport my kit in a borrowed wheelbarrow and it worked like a charm albeit leaving my arms feeling 3 inches longer by the end of it.
[Tech info:] Sinar P 10×8, Dallmeyer 3A lens, f8 3D printed Waterhouse stop. Fomapan 100 (expired 2017) ISO 50, Kodak HC110 1+31 6mins.
After being on a bit of a roll with my large format street portraits I decided to take my Speed Graphic out with a lens I’ve been meaning to use for a while – 165mm f2.7 Zeiss Tessar. I repurposed the lens from a folding camera which was well past its best with a perished shutter. Steve at Chroma Camera kindly designed and 3D printed a custom lens board for me. It’s a lot lighter than my Aero Ektar lens but gives a very different look. Depth of field is very shallow as you’d expect – most of these were shot around f4.5.
[Tech info:] Speed Graphic 5×4, 165mm f2.7 Tessar lens, Ilford HP5 (expired), developed in Kodak HC110 1+31 for 6mins.
Endeavour series 9 is still in production so I’m afraid you won’t find any spoiler photos here. Most of the crew on this series are new to Endeavour but there are some familiar faces too. Here are some pictures from the first day of filming in Oxford on FILM 2 of series 9. The last photo is from the following day in Magdalen College.
[Tech info:] Leica M6, 28-50mm Tri-Elmar lens, Ilford DELTA 400 developed in Ilfosol 3. Pakon scans. Last photo is on HP5 film, 50mm Summicron lens.
Behind the scenes during filming of Endeavour 8 episode 2 in Oxford, April 2021. It was all about the taxi’s for this session. I quite like this dead end road the crew were filming on because the buildings funnel the light in while allowing it to bounce around at the same time which works well for contrasty sunny conditions.
[Tech info:] Leica M6, (can’t remember which lens), Eastman Double X film, developed in D96 for 7.30. Pakon scans.
Behind the scenes during filming of Endeavour 8 episode 2 in Oxford, April 2021. The first two images show a character who sadly didn’t make it into the final edit which is a shame because it was an intriguing scene.
[Tech info:] Leica M6, (can’t remember which lens), Eastman Double X film, developed in D96 for 7.30. Pakon scans.
Behind the scenes photography during filming of Endeavour series 8 episode 2 in Wellington Square, Oxford. April 2021, lockdown restrictions had eased enough to allow filming to commence. I limited my photography to the exterior scenes. A nice little detail to look out for is the box of matches inside the taxi with the C. Dexter Matches brand.
[Tech info:] Leica M6, Eastman Double X motion picture film, developed in D96 stock for 7.30, Pakon scans.
These behind the scenes pictures from Endeavour 8 FILM 1 show scenes which were not used in the final edit. The shots of the Royal Mail postal workers on the picket line was most likely intended for the opening sequence. I’m not sure about the scene with Jack Swift and the Jaguar sports car. Merton Street, Oxford.
[Tech info:] Leica M6, Eastman Double X film, 50/1.4 and 75/1.8 Voigtlander lenses, developed in D96. Pakon scans.
Behind the scenes during filming of Endeavour 8 | FILM 1 in Exeter college, Oxford. For a change I decided to use Kodak Tri-X because the weather was mostly cloudy and it allowed me to use a slightly deeper depth of field than usual when I’m using Eastman Double X. I like how the tones have come out with nice rich blacks.
[Tech info:] Leica M6, 50/1.5 Voigtlander Nokton, Kodak Tri-X developed in HC110 1+31, Pakon scans.
