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Oxford: graduation day 2023

Tuesday, October 10th, 2023

Graduation day, end of September. I was channeling some Diane Arbus with my C330f and fill-flash on a sunny day – a combo I haven’t tried before. The flash was a small Rollei model without any power setting. I think it worked quite well overall. The low perspective is from using a waist level finder – not an obvious choice with a wide-angle lens when photographing people but it helped to include some architecture in the background.

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Oxford: portraits by the river

Wednesday, October 4th, 2023

A few portraits made by the river to test a lens I’ve had for a while. Aperture used for these was f8-f8.5.

[Tech info:] Chamonix 45F2, 10 inch f6.3 Kodak Commercial Ektar lens, yellow filter, Fomapan 200 film @ ISO 100, developed in Adox XT-3 stock for 6 mins.

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Oxford: flooding in Hinksey

Wednesday, September 20th, 2023

There was some flooding in Hinksey back in January and here are a few pictures from that time which I made during my lunch break. I had spotted the gravel mounds the previous week and was waiting for appropriate light and a dramatic sky to photograph them in.

[Tech info:] Pentax 645NII, 45-85mm lens, Ilford HP5 developed in Kodak HC110 1+31.

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Oxford: Misty morning

Tuesday, September 19th, 2023

Some misty morning shots from April this year. I have photographed this location with various different cameras but this was the first time with a wider format. I feel 6×12 worked perfectly for these shots.

[Tech info]: Wista 5×4, 90mm Schneider lens, Ilford FP4+ developed in Adox XT-3 stock.

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Gear: Rolleiflex SL66 & 125mm f2.5 Leitz lens

Monday, September 18th, 2023

Recently I came across an interesting lens I was curious to try out – a Leitz 125mm f2.5 modified for use on a Rolleiflex SL66. The lens was originally designed for use on a 35mm format system but amazingly it covers 6×6 without any issues. The previous owner carried out the modification and it’s very nicely done. Here are the first test shots from a photowalk with a photographer mate of mine.

[Tech info]: Rolleiflex SL66, 125mm f2.5 Leitz lens, shots 1-3 Ilford FP4, the rest are Ilford HP5, developed in Adox XT-3 stock.

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Oxford: 10×8 portraits

Sunday, September 17th, 2023

We’ve had some unusually warm weather for mid September recently so I decided to make the most of the evenings after work this week and took a 10×8 camera out along the tow path to make some portraits. It’s been quite a while since I’ve taken a 10×8 camera out, mainly because of the weight, but this time it was a lot easier because I used a trolley to transport my gear. It worked extremely well and I look forward to making more trips out when the weather is suitable. Thank you to everyone who stopped for a chat and a portrait.

[Tech info]: Shots 1-4 Kodak Commercial 10×8, 10inch Wide Field Ektar lens. Shots 5 & 6 Intrepid 10×8, 240mm Schneider lens. Shanghai GP3 100 (expired 2014), rated ISO 50, developed in Kodak HC110 1+31 for 8 mins.

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Endeavour 7: FILM 3 – part 8

Sunday, March 5th, 2023

Behind the scenes photography during filming of Endeavour 7 | FILM 3 in Oxford, October 2019. These pictures are long overdue and I apologise to the SA’s in these pictures who have been waiting patiently to see them, especially the man holding the newspaper who I frequently saw on subsequent series of Endeavour and every time I would promise the pictures would be posted. I got there in the end!

[Tech info:] Rolleiflex 2.8F, TMAX 400 @ ISO 800, developed in TMAX developer 1+4.

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Endeavour 9: FILM 1 – part 3

Friday, March 3rd, 2023

Behind the scenes during filming of Endeavour 9 | FILM 1 in Oxford, May 2022. I used a few different rolls of film through my Rolleiflex at this location because there were quite a few different setups which gave me enough time without too much of a rush.

[Tech info:] Rolleiflex 2.8F, Kodak Tri-X film developed in HC-110 dilution B.

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Endeavour 9: FILM 1 – part 2

Thursday, March 2nd, 2023

Behind the scenes photography during filming of Endeavour 9 | FILM 1 in Oxford, May 2022. The location was New College fellows garden which isn’t within the main New College grounds but tucked away on the opposite side of New College Lane.
[Tech info:] Leica M6, 50/2 Voigtlander Nokton and 75/1.8 Voigtlander lenses. Ilford FP4 film developed in HC110 1+31, Pakon scans.

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Endeavour 9: FILM 1 – part 1

Wednesday, March 1st, 2023

Behind the scenes photography during filming of Endeavour 9 | FILM 1 in Oxford, May 2022. This was in the fellows garden of New College, a location previously used when Endeavour chases a pickpocket out onto New College Lane in series 7. I was excited to see a Polaroid SX70 camera being used in this scene and it was fully functioning. The props guy was too young to have seen one of these cameras before so I explained how to operate it and loaded a fresh pack of film for him.

[Tech info:] Rolleiflex 2.8F, Fuji Pro 400H film, Fuji Frontier scans.

Max grid

Oxford: Aero Ektar lens test

Wednesday, December 7th, 2022

Here are a couple of pictures made with my Graflex Speed Graphic 5×4 camera and Kodak Aero Ektar lens. It’s been a very long time since I last used this set-up so I decided to test it out in Jericho, Oxford. I always envisioned this camera/lens combo for making portraits and was very fortunate to have a friendly couple that were willing to stand very still for me. The camera movements are very limited but I used some front swing to try to bring both faces into focus without stopping the lens down too much (I think I was at f4). The maximum aperture is f2.5 which gives a razor thin depth of field on 5×4 film.

[Tech info:] Graflex Speed Graphic 5×4, Kodak Aero Ektar lens, Fomapan 100 film (expired), developed in HC110 1+63 for 10 mins.

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Oxford: Matriculation 2022 – part 1

Tuesday, October 18th, 2022

Some pictures from Oxford Matriculation this year, the first time this event has taken place in-person since 2019. Fortunately it didn’t rain. Students from Jesus college were a particularly lively bunch this year, I enjoyed photographing them. This is always a tricky event to photograph due to all the black and white fabric – you’d be hard pressed to find a higher contrast situation. Add backlighting to the mix and all bets are off for a nice tonal range. This year I took a variety of cameras with me, more to follow.

[Tech info:] KIEV 60, Arsat 30mm f3.5 fish-eye lens, mix of films (FP4 and Delta 100 pushed 1 stop).

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