The Endeavour film crew were back in Oxford a few weeks ago to start work on the second episode of series 3. Here are some behind the scenes shots that I made during filming that took place on Holywell Street.
[Tech info]: Leica M2, Voigtlander Nokton 50/1.4 lens, Eastman Double X motion picture film, developed in Kodak HC110 1+31 for 6 mins.
The first episode of Endeavour 3 is currently being filmed and here are some behind-the-scenes shots from a scene that took place outside Endeavour’s flat in Park Town, Oxford. It was a fairly brief scene with only two members of the main cast present – I won’t go into any more detail or give any spoilers. This is the first bit of filming that I have seen from the new series and it was really nice to see some familiar faces among the crew. The crew consisted of a mix of people that I had previously seen working separately on Lewis and Endeavour so it was nice to see them all working together.
[Tech info:] Leica M2, Voigtlander Nokton 50/1.5, Ilford HP5, processed in Ilford LC29 1+19 for 6.30.
This is the first set of my images from the Oxford University Amateur Boxing Club (OUABC) Town vs Gown 2015 competition which was held at the Oxford Union two nights ago. Last year was my first time photographing this event and it’s hard to believe that twelve months have already gone by. I was very pleased with my images last year but I decided to change things up a bit this year in terms of cameras and film choice instead of just repeating the same thing. First up we have some shots made with my Leica M2 but I also took a medium format camera with me and a 35mm point and shoot so those will follow soon. The film I used for the images below (Fuji Neopan 1600) is sadly no longer made by Fuji and the roll I used came in a mixed bag of film I bought from a press photographer a couple of years ago. The film is expired but I have no idea by how much so it was a bit risky using it but that’s also what makes things exciting when you have no idea how or if the shots are going to turn out. When it came to developing this film I had to seek some advice from a friend of mine who’s more experienced than I when it comes to using this film (thanks Jean Pierre) and I’m pleased to say I really like the results. All of these were made using available light, in fact I didn’t take a flash with me and the only camera I had that did have a flash was the point and shoot compact.
Many thanks to Isra Hale for the invite and to the boxers for their patience both before and after their bouts in the ring. I look forward to next year when not only will we have another Town vs Gown but also the Oxford vs Cambridge Varsity will be back in Oxford.
[Tech info:] Leica M2, Voigtlander 35/1.2, Fuji Neopan 1600 (rated ISO 1600), developed in Kodak HC110 (1+31) for 8mins. Pakon scans.
Whenever I want to test out any tungsten balanced film I tend to either head for the Ashmolean Museum or to Clements & Church – the tailor’s on Little Clarendon Street and sometimes I will visit both places during the same lunch break as I did last week when I wanted to test out some Kodak Vision 3 500T motion picture film. This is the exact same film that is used by movie studios in Hollywood and around the world. I really like the colours you get with this film and although it takes longer to develop than regular colour film (because you have to remove the black remjet coating from the non-emulsion side of the film), with extra time and care it can be done with just hot water and a sponge which is what I used on this roll.
[Tech info:] Leica M2, Voigtlander 50/1.5 Nokton, Kodak Vision 3 500T, Rollei Digibase C41 kit, Pakon scan.
Towards the end of the Christmas break I did some photography at Magdalen College to test out a Russian lens I had mounted to use with my Speed Graphic 5×4 camera. How appropriate that I would meet up with a Russian flickr contact of mine who was visiting Oxford with his girlfriend. Along with my Speed Graphic I took my Leica M2 which I used for these shots. The light was fading fast but the 400 speed of Ilford XP2 was just fine. There are some shots from this session still to come which I made on Kodak Vision 3 500T motion picture film.
The results from my Speed Graphic can be found here and here.
[Tech info:] Leica M2, Voigtlander 50/1.5 Nokton, Ilford XP2 (expired), processed in a Rollei Digibase C41 kit, Pakon scan.
Speed Graphic 5×4
At the end of November I went into town on a Saturday morning to do some photography and here are some images that I made. This was a couple of days after Black Friday and shoppers were out looking for bargains in the run up to Christmas. It was great to come across a breakdance crew busting some moves. When I was younger I remember seeing breakdance crews in town, laying out their square of lino to dance on, boom box blasting out tunes to attract the attention of passers by. It’s nice to see the current generation keeping the tradition alive.
[Tech info:] Leica M2, Voigtlander Nokton 35mm and 50mm lenses, Fuji Superia 200 (expired), Rollei Digibase C41 kit, Pakon scans.
Stag do
Kodak 500T film is designed to be used in tungsten light but as I do most of my photography during my lunch break I wanted to test how it looked when used in daylight with an 85B colour correction filter. These shots were all made on the same day during my lunch break (apart from the last shot which was made without a filter after work).
[Tech info:] Leica M2, Voigtlander Nokton 50/1.5, Kodak 500T film, processed with a Rollei Digibase C41 kit, Pakon scan.
These are the first shots from my Voigtlander Nokton 50/1.5 lens which I tested during my lunch break yesterday. Technically this is the second roll of shots with this lens – the first roll was unusable because I forgot to close the back door of my M2 properly so the film wasn’t flat and the whole roll was out of focus. That’s what can happen when you’re excited to use a lens you’ve been looking forward to for quite a while. Lesson learnt. The weather was heavily overcast sky with a really gloomy feel everywhere. It’s the kind of light I would never usually waste a roll of film with but I really wanted to see how this lens performed so I decided to go out regardless and I must admit I do like the results, especially the bokeh, this lens is definitely a keeper. My thanks go to Jason Howe for all of his help and advice about this lens which I prefer for b&w over my Summicron 50/2. I’ll be keeping the Summicron because I shot some slide film with it and the results look fantastic so I can see it being useful for colour (as suggested by my friend Anthony).
[Tech info:] Leica M2, Voitlander Nokton 50/1.5, Ilford Delta 400 (expired), processed in Kodak D76 1:1 for 14 mins.
In between lots of wet weather over the past couple of weeks we’ve had some nice dry spells and I managed to finish off a roll of film in my M2 during my lunch time photo walks. A bit of a mixed bag here including a shot of me from the generous photographer with the Polaroid camera. I spotted him crossing beaumont street while loading in a fresh pack of Impossible b&w film so I stopped him to ask if I could make a quick portrait of him and he was happy to oblige (picture at the bottom of this post). I don’t know what caused the bright white patch in the middle of the picture but it does make it a bit more mysterious.
[Tech info:] Leica M2, Summicron 50/2 (rigid), Ilford FP4 (expired 12/99), processed in D76 stock for 8.30.
This is my second set of pictures from the Remembrance Sunday event on St Giles in Oxford. After I finished the roll of Ilford Pan F I loaded a roll of Kodak TMAX 100 film into my M2. While I had another roll of Pan F in my bag, I decided to use the TMAX because I didn’t know how the extreme contrast was going to render so I thought I’d cover all bases by using a different stock. It was also a good experiment to see how different both films might be in the same conditions. For this roll I also changed lenses for a different perspective.
[Tech info:] Leica M2, Summicron 50/2 (rigid), Kodak TMAX 100, processed in Kodak HC110 1:31 for 6 mins.
Here’s a set of pictures from the Remembrance Sunday service and parade that took place on St Giles yesterday. I’ve never been before so I didn’t quite know what to expect but the scale of the event was very impressive. After a wet and miserable Saturday we were fortunate to have a dry and sunny morning but even though the contrasty light made photography difficult I did like the long shadows and rim lighting. I packed my Leica M2 because I wanted to be discreet without using a noisy camera and apart from some difficulty with the rangefinder when looking towards the sun I soon found a workaround so it wasn’t too bad.
[Tech info:] Leica M2, Voightlander Nokton 35/1.2 II, Ilford Pan F (expired), processed in Kodak D76 stock.
These shots were made during my lunch break to test a wide-angle lens I picked up for my Leica M2, it’s a Voigtlander Nokton 35/1.2 II. A couple of years ago my friend Benedict Campbell bought this same lens and the first place he went to test it out was the Natural History Museum in Oxford so I thought it appropriate that I should do the same. Not only are the light levels inside perfect to test out such a fast lens but there are also lots of interesting things to photograph as well as lots of people. The film I used was an expired roll of Ilford FP4 but there was no box with it so I don’t know how old it was. The grain seems heavier than I would expect so perhaps it was quite old. On my way back to my office I stopped off at Clements & Church tailors on Little Clarendon Street to use up the last few frames with Ian who is always obliging.
[Tech info:] Leica M2, Voightlander Nokton 35/1.2, Ilford FP4 (expired), processed in Kodak HC110 1+31.
