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Oxford: Town vs Gown Boxing 2015 – part 1

Friday, February 6th, 2015

This is the first set of my images from the Oxford University Amateur Boxing Club (OUABC) Town vs Gown 2015 competition which was held at the Oxford Union two nights ago. Last year was my first time photographing this event and it’s hard to believe that twelve months have already gone by. I was very pleased with my images last year but I decided to change things up a bit this year in terms of cameras and film choice instead of just repeating the same thing. First up we have some shots made with my Leica M2 but I also took a medium format camera with me and a 35mm point and shoot so those will follow soon. The film I used for the images below (Fuji Neopan 1600) is sadly no longer made by Fuji and the roll I used came in a mixed bag of film I bought from a press photographer a couple of years ago. The film is expired but I have no idea by how much so it was a bit risky using it but that’s also what makes things exciting when you have no idea how or if the shots are going to turn out. When it came to developing this film I had to seek some advice from a friend of mine who’s more experienced than I when it comes to using this film (thanks Jean Pierre) and I’m pleased to say I really like the results. All of these were made using available light, in fact I didn’t take a flash with me and the only camera I had that did have a flash was the point and shoot compact.

Many thanks to Isra Hale for the invite and to the boxers for their patience both before and after their bouts in the ring. I look forward to next year when not only will we have another Town vs Gown but also the Oxford vs Cambridge Varsity will be back in Oxford.

[Tech info:] Leica M2, Voigtlander 35/1.2, Fuji Neopan 1600 (rated ISO 1600), developed in Kodak HC110 (1+31) for 8mins. Pakon scans.

oxford town vs gown boxing 2015

Oxford: Industar lens test part 2

Tuesday, January 13th, 2015

Here are a few more shots from the first time out with my Industar 210mm large format lens. I only took six sheets of film with me and I used two sheets on one of the shots because the light was changing and I decided to try out a greater depth of field on the second sheet. I ended up preferring the light on the building in the first exposure so that’s the one I’ve posted here.

[Tech info:] Graflex Speed Graphic, Industar 210/f4.5 lens, Kodak Plus-X Aerographic film, processed in Kodak HC110 1+31 for 6 mins.

Oxford: Industar lens test

Monday, January 12th, 2015

Here are some of the first test shots made with my Industar 210mm Russian large format lens. I bought this lens back in July last year but it took me a while to get it mounted on a lens panel to use with my Speed Graphic. Finally the wait is over. The light was fading when I made these exposures and they were made at the slowest shutter speed on my Speed Graphic which is 1/30th with the lens fully open at f4.5. I pushed the film a little in the developer to try to lift the shadows but there doesn’t seem to be anything there to bring out. I’m pleased with these results and can’t wait to do some more at a closer focussing distance. I made a few other shots which will follow another time – I left them drying in the darkroom.

[Tech info:] Speed Graphic 5×4, Industar 210/f4.5 lens, Kodak Plus-X Aerographic film, processed in Kodak HC110 1+31 for 6 mins.

Oxford: Remembrance Sunday, 2014 – part 2

Tuesday, November 11th, 2014

This is my second set of pictures from the Remembrance Sunday event on St Giles in Oxford. After I finished the roll of Ilford Pan F I loaded a roll of Kodak TMAX 100 film into my M2. While I had another roll of Pan F in my bag, I decided to use the TMAX because I didn’t know how the extreme contrast was going to render so I thought I’d cover all bases by using a different stock. It was also a good experiment to see how different both films might be in the same conditions. For this roll I also changed lenses for a different perspective.

[Tech info:] Leica M2, Summicron 50/2 (rigid), Kodak TMAX 100, processed in Kodak HC110 1:31 for 6 mins.

 

Oxford: Voigtlander Nokton 35/1.2 lens test

Sunday, November 9th, 2014

These shots were made during my lunch break to test a wide-angle lens I picked up for my Leica M2, it’s a Voigtlander Nokton 35/1.2 II. A couple of years ago my friend Benedict Campbell bought this same lens and the first place he went to test it out was the Natural History Museum in Oxford so I thought it appropriate that I should do the same. Not only are the light levels inside perfect to test out such a fast lens but there are also lots of interesting things to photograph as well as lots of people. The film I used was an expired roll of Ilford FP4 but there was no box with it so I don’t know how old it was. The grain seems heavier than I would expect so perhaps it was quite old. On my way back to my office I stopped off at Clements & Church tailors on Little Clarendon Street to use up the last few frames with Ian who is always obliging.

[Tech info:] Leica M2, Voightlander Nokton 35/1.2, Ilford FP4 (expired), processed in Kodak HC110 1+31.

Oxford: around and about

Sunday, November 2nd, 2014

At my office I keep a Zenit TTL camera, it’s my go to camera to use during my lunch hour when I haven’t taken in anything else to use. Sometimes it can be pouring with rain in the morning which is when I usually decide not to take a camera with me to work but then it might clear up and be nice at lunch time and that’s when I dust off my trusty Zenit. As a result of this inconsistent use the film in the camera can end up being in there for quite a few months so it’s always exciting when I finish the roll and process it because I never quite know what’s going to be on it. The shots here span approximately the past five months.

[Tech info:] Zenit TTL, 58/2 Helios lens, loaded with Kodak TMAX 100, processed in HC110 1+31 for 6mins.

Oxford: first roll through Leica M2

Monday, October 27th, 2014

Never say never! That’s probably the best way to describe this post because there was a time when I swore I would never own a Leica. That was when time and time again I would notice people carrying them around as some sort of display of wealth when clearly they had no idea about how to best use it. But not all Leica’s are the same and while the digital models can set you back more than a Rolex watch, there are plenty of old film models that are cheaper than a lot of DSLR’s and built to last much longer too. After I started to enjoy using my Yashica Electro 35 rangefinder camera more and more I began to look for something that would give me more options such as interchangeable lenses and full manual control and when it comes to rangefinders it’s hard to ignore the king of the hill. I ended up getting an M2 from 1964 which seems to have been looked after and is a pleasure to use. This is a 100% mechanical camera – no batteries required. This set of pictures are from the first roll I put through it in my lunch break last week. It started to rain on my way into town so I spent most of my time in the Ashmolean Museum.

[Tech info:] Leica M2, 50/2 Summicron rigid, Ilford FP4 (expired Dec/1999), processed in Kodak HC110 1+31.

Drama: backstage at The Furies – part 1

Monday, October 20th, 2014

This is the first set of pictures from my time backstage at The Oxford Playhouse while the cast of The Furies were getting ready. There isn’t a lot of space in the dressing rooms so I did my best to keep out of the way while still making pictures – notice my reflection in two of the shots. Before arriving I didn’t know what the light levels were going to be like inside but I wanted to test out some Eastman Kodak Double-X motion picture film (the same type that was used by Spielberg for Schindler’s List) so I took a gamble and rated this roll at ISO 400 which is a 1 stop push from box speed. Overall I’m very pleased with the results considering how much contrast there is in these shots – bright lights and black clothing is a torture test for any film. A quick shout out to Charles Graham, the director, for allowing me access and a big thank you to the cast for being so accommodating which always helps to make my job a little easier.

[Tech info:] Yashica Electro 35, Eastman Kodak Double-X film rated at ISO 400, processed in Kodak HC110 1+31 for 6:30.

London: street photography day – part 2

Sunday, October 12th, 2014

These shots are from the beginning of our day in the city (which started at around 10.30am), coffee in the Rapha cycle shop and then we stopped for lunch near the Lloyds building. I was using three different cameras so these blog posts will be out of order as I’ll be posting my favourite shots from each roll of film.

[Tech info:] Yashica Electro 35 loaded with Kodak TMAX 100, processed in Kodak HC110 1+31.

Oxford: Meatchute behind-the-scenes

Wednesday, September 10th, 2014

Some shots from the last day of filming of a short film titled Meatchute, directed by Tom Shennan. It was after I posted my shots from Waterbird that I received an email from Tom asking if I’d be interested in doing some photography during his shoot. I liked the sound of the location and the prosthetic make-up and fortunately it was on my route home from work so I stopped by and shot a roll through my Rolleiflex twin-lens camera – this is the entire roll of 12 shots. The location was very cool in a run down kind of way and I liked the simple lighting they were using with some added smoke for atmosphere. I tried to photograph as many of the cast and crew as possible without disrupting the proceedings too much. Everyone was very nice to work with and I look forward to seeing the final edit.

[Tech info:] Rolleiflex 2.8F, 80/2.8 Planar, Kodak Tri-X @ ISO 800 (expired), processed in Kodak HC110 1+31.

 

Oxford: first shoot with Suzie – part 1

Tuesday, July 29th, 2014

These shots are from my first shoot with Suzie on an overcast Saturday morning. I decided to experiment a little here and keep the overall look a little underexposed for a heavier feel. Two different cameras were used on these shots – one of them had a wide-angle lens on which was not what I had intended but I decided to go with it anyway and I quite like the results despite the obvious distortion. More to come.

[Tech info:] Pentax 6×7, 105/2.4 lens. Bottom two images with Mamiya RB67, 50mm lens. Kodak Tri-X (expired), processed in Kodak HC110 1+31.

Oxford: Waterbird behind-the-scenes – part 2

Sunday, July 27th, 2014

Waterbird is a short film directed by Alex Darby which was being filmed in Oxford a few weeks ago. Alex invited me along to shoot some behind-the-scenes stills during a night shoot in the Westgate car park. Unfortunately I couldn’t stay for very much of it but I did manage to shoot a roll of film of some of the cast and crew.

[Tech info:] Rolleiflex SL66, 80/2.8 Zeiss Planar, Kodak Tri-X @ ISO800, processed in Kodak HC110 for 9 mins.