This was a great night at a packed Oxford Town Hall. I struggled with the lack of space back stage to make many pictures, instead I wanted to record the ambience of the venue. In the end Oxford won which was a fantastic end to the night. I have some other shots on a roll in a different camera that I haven’t finished yet but I’ll post those when I have them.
[Tech info:] Rolleiflex 2.8f, 80/2.8 Zeiss Planar, loaded with expired Ilford Delta 3200, processed in Rodinal 1+25.
These shots were all made during the filming of the fourth and final episode of series 2 of Endeavour. This episode has the least amount of scenes that were shot in Oxford but I’m still excited to see it. Most of the scenes on this particular day were inside a house in North Oxford and even though I didn’t manage to do much photography I enjoyed chatting with the neighbours who came out to see what was going on.
[Tech info]: Rolleiflex 2.8F, 80mm Zeiss Planar lens, Kodak Tri-X 400 (expired), processed in Kodak XTOL 1+1.
Last Saturday I did some backstage photography during TEDx Oxford 2014 which was held at the New Theatre on George Street. I have fond memories of going to the New Theatre as a child and once even saw a double bill screening of The Spy Loved Me and Revenge of the Pink Panther there. A large white safety screen was hung over the stage and the movies were projected onto that. So, I was excited to be backstage and get a glimpse behind the curtain.
I did do some photography of the speakers from the wings but for me I most important thing was to photograph the worker bees that were making the event happen because without them there wouldn’t be much of a conference. These shots are all from the same roll of medium format film, made in available light.
[Tech info:] Rolleiflex 2.8f, 80mm Zeiss Planar lens, loaded with Kodak Tri-X 400 (expired), rated at ISO 800, processed in Kodak HC110 1+31 for 9 mins.
The Endeavour crew were here in Oxford last weekend to film parts of series II episode IV which will be the final episode of the second series. They were only here for two days which is a lot less than the previous three episodes. The weather was cold and very wet at times which limited the amount of photography I was able to do. Here are some shots from a night scene that was filmed on Turl Street.
[Tech info:] Rolleiflex 2.8f, 80mm Zeiss planar lens, loaded with Kodak Tri-X 400 (expired), processed in Kodak HC110 1+31 for 9 mins.
Just before Christmas last year I sent my Rolleiflex 2.8F away to be serviced because the aperture and shutter speed dials were beginning to stiffen up and I felt that it lacked the smoothness that Rolleiflex’s are renowned for. I also wanted to replace the focussing screen in it so I sent a Maxwell Hi-Lux screen with it for the service technician to install for me. The camera has returned now so I was keen to take it out on the streets of Oxford to put some film through it. These shots are from the second roll through it (the first got sadly ruined when I processed it but I still don’t know exactly what caused the problem). I must say that the camera is a joy to use now and the Maxwell screen is amazing and a HUGE improvement over the stock screen which is very dark in comparison. I opted for a completely clear screen with no grid lines so there’s nothing to interfere with the image.
[Tech info:] Rolleiflex 2.8F, 80/2.8 Planar lens loaded with Ilford FP4 (expired 2004), processed in Kodak HC110 1+31.
Here are some more shots from day two of the recent Endeavour filming in Oxford. This episode looks like it will be very exciting. It’s hard to make out in the bus picture but Colin Dexter is making a cameo appearance, he’s sitting next to the window on the lower level, first window from the right.
[Tech info:] Rolleiflex Automat 3.5 loaded with Kodak Tri-X 400, processed in Kodak HC110 (1+31) for 7:30.
The Endeavour film crew were back in Oxford for a couple of days at the end of last month and I managed to fit in a quick bit of behind the scenes photography during my lunch break and after work. On the first day the weather was really cold which is why you can see the supporting actors dressed in warm coats. For the night time part of the shoot there was a smoke machine wafting in fake fog which really added to the atmosphere. I’m really looking forward to seeing these episodes next year.
[Tech info:] Rolleiflex Automat 3.5, loaded with Kodak TMAX 400 film, processed in Kodak HC110 (1+31) for 5mins.
Here are some medium format film shots that I made last weekend during one of the rehearsal’s for Chicago that is on in a few days at the Keble O’Reilly theatre. This film expired in 2007 and generally high-speed film doesn’t age well so I’m very pleased with how these turned out considering the light level was incredibly low and not very contrasty. I was partly using this occasion as a test for a bright (Beattie) viewing screen that I recently installed into my Mamiya C330f camera and I’m happy to report that it’s a lot brighter and easier to focus with than the stock screen.
[Tech info:] Mamiya C330f, 80/2.8 lens loaded with Ilford Delta 3200 (expired 2007), rated at ISO 1250, processed in Rodinal 1+25 for 10mins.
A friend of mine (Ewan) from school has made his first feature length movie and during a visit to see him in Brighton I was treated to a private screening at a local cinema. In order to raise some funding to complete the film Ewan started a Kickstarter project to which I contributed and as a result I was listed in the thank you’s at the end of the movie. It was very cool to see my name up on a cinema screen! I travelled down on one evening and left to come home pretty much 24 hours later. The weather was mostly overcast with some rain so I didn’t manage to do a whole lot of photography but I did do a little. We had some late afternoon sun which was nice but by that time we were heading back home for dinner so I didn’t manage to photograph the sunset. The shots below are all from the same roll of film.
Here’s the IMDB page for Ewan’s movie Nightmare Hunters
[Tech info:] Mamiya C330f, 80mm/2.8 loaded withKodak Portra 400VC (expired), developed & scanned by Ag photolab
This is the last set of images I managed to make behind-the-scenes during the Endeavour filming last Sunday before heavy rain put a dampener on things. This roll of film was part of a batch that a kind friend of mine brought me over from New York but when I hung it up to dry after processing it in the darkroom I noticed x-ray scanner fogging on the roll which took the form of a zig zag pattern all the way along the film. Fortunately it’s hardly visible in the scans and that’s if you’re looking very hard. I’m really looking forward to the Endeavour crew coming back so that I can hopefully do some more behind-the-scenes photography.
[Tech info:] Rolleiflex 2.8F Zeiss Planar loaded with Kodak TMAX 400 film, processed in Kodak HC110 dilution b for 5:30.
There’s something that just feels right about photographing behind-the-scenes pictures of a tv show set in the 1960’s with a camera that is from the 1960’s. These shots are the entire contents of my first roll of film last Sunday morning when the Endeavour film crew were in town shooting the second episode of four new ones that will be broadcast next spring. The episode title of this one is Nocturne so keep an eye out for some of these smartly dressed supporting actors. Just as I was getting going with my photography rain stopped play and I had to head for shelter in the Covered Market. The photographer is not part of the filming but he just happens to be one of my favourite Oxford street photographers and we bumped into each other completely by chance and had a nice chat while it poured down with rain. Shortly after that the film crew relocated to Exeter College gardens where they managed to film a little more before the sky opened up again and they stopped for lunch. I did manage to shoot another half a roll, those shots to follow soon.
[Tech info:] Rolleiflex 2.8F Zeiss Planar loaded with Kodak Tri-X 400, processed in HC110 dilution b for 7:30.
Some shots from a woodland walk on an autumnal Sunday afternoon. It was great fun discovering some amazing little mushrooms. We came across some that looked straight from a fairytale, red with white dots. I didn’t photograph them because they were in deep shadow that wouldn’t have worked well in black & white. For these mushroom shots I tested out some Rollei close-up lenses. There doesn’t seem to be any loss in sharpness.
[Tech info:] Rolleiflex Automat 75mm/f3.5 Tessar, loaded with expired Kodak Tri-X, processed in Kodak Xtol 1+1 for 8mins.
