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Oxford: Rolleiflex Tele – part 2

Thursday, September 19th, 2024

Here are some more pictures from my Rollei Tele which I was using last week in Oxford. The sun drops quite quickly this time of year and the maximum aperture on the Rollei Tele is f4 which meant I was struggling in areas of shadow so I rated this roll at ISO 200 to give myself a little breathing room. I spot metered for the darkest shadows (in some cases black fabric) and I like how these have turned out – not too contrasty.

The first picture below is the closest focussing distance with the built-in lens and the second picture down is with the clip-on close-up lenses. Same exposure. Notice how the depth of field changes and how the background falls nicely out of focus. I really like how the texture in the black leather coat has turned out.

[Tech info:] Rollei Tele, Ilford FP4 rated at ISO 200, developed in Promicrol 1+14.

20240919_Oxford_Rollei-Tele_FP4_ISO200_Promicrol_01_web 20240919_Oxford_Rollei-Tele_FP4_ISO200_Promicrol_02_web 20240919_Oxford_Rollei-Tele_FP4_ISO200_Promicrol_03_web 20240919_Oxford_Rollei-Tele_FP4_ISO200_Promicrol_04_web 20240919_Oxford_Rollei-Tele_FP4_ISO200_Promicrol_05_web 20240919_Oxford_Rollei-Tele_FP4_ISO200_Promicrol_08_web

Oxford: Rolleiflex Tele – part 1

Tuesday, September 17th, 2024

Some years ago I bought a Rolleiflex Tele which has a 135mm f4 lens and my plan was to use it for portraits with a flatter perspective than you can achieve with the standard 80mm lens. The problem I found was the minimum focussing distance is quite limiting when you want to create a head and shoulders portrait. Clip-on lenses are required to focus closer and this clunky design put me off using it. Last week I decided to dust it off and try it out for general photography without the clip-on lenses. The shots below are from my first roll testing it out. It’s a heavy beast to walk around with for any length of time but I really enjoyed the reach compared to the standard lens and the image snapped into focus nicely which made focussing a breeze.

[Tech info:] Rolleiflex Tele, Ilford FP4 @ ISO 64, developed in Promicrol 1+14.

20240917_Oxford_Rollei-Tele_FP4_ISO64_Promicrol_001_web 20240917_Oxford_Rollei-Tele_FP4_ISO64_Promicrol_003_web 20240917_Oxford_Rollei-Tele_FP4_ISO64_Promicrol_004_web 20240917_Oxford_Rollei-Tele_FP4_ISO64_Promicrol_006_web 20240917_Oxford_Rollei-Tele_FP4_ISO64_Promicrol_007_web 20240917_Oxford_Rollei-Tele_FP4_ISO64_Promicrol_008_web 20240917_Oxford_Rollei-Tele_FP4_ISO64_Promicrol_009_web 20240917_Oxford_Rollei-Tele_FP4_ISO64_Promicrol_010_web

Oxford: graduation day 2023

Tuesday, October 10th, 2023

Graduation day, end of September. I was channeling some Diane Arbus with my C330f and fill-flash on a sunny day – a combo I haven’t tried before. The flash was a small Rollei model without any power setting. I think it worked quite well overall. The low perspective is from using a waist level finder – not an obvious choice with a wide-angle lens when photographing people but it helped to include some architecture in the background.

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Gear: Rolleiflex SL66 & 125mm f2.5 Leitz lens

Monday, September 18th, 2023

Recently I came across an interesting lens I was curious to try out – a Leitz 125mm f2.5 modified for use on a Rolleiflex SL66. The lens was originally designed for use on a 35mm format system but amazingly it covers 6×6 without any issues. The previous owner carried out the modification and it’s very nicely done. Here are the first test shots from a photowalk with a photographer mate of mine.

[Tech info]: Rolleiflex SL66, 125mm f2.5 Leitz lens, shots 1-3 Ilford FP4, the rest are Ilford HP5, developed in Adox XT-3 stock.

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Endeavour 7: FILM 3 – part 8

Sunday, March 5th, 2023

Behind the scenes photography during filming of Endeavour 7 | FILM 3 in Oxford, October 2019. These pictures are long overdue and I apologise to the SA’s in these pictures who have been waiting patiently to see them, especially the man holding the newspaper who I frequently saw on subsequent series of Endeavour and every time I would promise the pictures would be posted. I got there in the end!

[Tech info:] Rolleiflex 2.8F, TMAX 400 @ ISO 800, developed in TMAX developer 1+4.

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Endeavour 9: FILM 1 – part 3

Friday, March 3rd, 2023

Behind the scenes during filming of Endeavour 9 | FILM 1 in Oxford, May 2022. I used a few different rolls of film through my Rolleiflex at this location because there were quite a few different setups which gave me enough time without too much of a rush.

[Tech info:] Rolleiflex 2.8F, Kodak Tri-X film developed in HC-110 dilution B.

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Endeavour 9: FILM 1 – part 1

Wednesday, March 1st, 2023

Behind the scenes photography during filming of Endeavour 9 | FILM 1 in Oxford, May 2022. This was in the fellows garden of New College, a location previously used when Endeavour chases a pickpocket out onto New College Lane in series 7. I was excited to see a Polaroid SX70 camera being used in this scene and it was fully functioning. The props guy was too young to have seen one of these cameras before so I explained how to operate it and loaded a fresh pack of film for him.

[Tech info:] Rolleiflex 2.8F, Fuji Pro 400H film, Fuji Frontier scans.

Max grid

Oxford: Matriculation 2022 – part 1

Tuesday, October 18th, 2022

Some pictures from Oxford Matriculation this year, the first time this event has taken place in-person since 2019. Fortunately it didn’t rain. Students from Jesus college were a particularly lively bunch this year, I enjoyed photographing them. This is always a tricky event to photograph due to all the black and white fabric – you’d be hard pressed to find a higher contrast situation. Add backlighting to the mix and all bets are off for a nice tonal range. This year I took a variety of cameras with me, more to follow.

[Tech info:] KIEV 60, Arsat 30mm f3.5 fish-eye lens, mix of films (FP4 and Delta 100 pushed 1 stop).

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Endeavour 8: FILM 2 – part 1

Wednesday, April 21st, 2021

Behind the scenes during filming of Endeavour 8 | FILM 2 in Wellington Square, Oxford. Quite a hot sunny day with lots of contrasty light, a perfect opportunity to try out some Fuji 400H to see how it would cope. This was recent fresh stock compared to the expired rolls I usually use.

[Tech info:] Mamiya 6, 75mm/3.5, Fuji 400H, Frontier scans.

2021.04.19_Endeavour_S8E2_Wellington-Square_Mamiya-6_400H_00_web 2021.04.19_Endeavour_S8E2_Wellington-Square_Mamiya-6_400H_01_web 2021.04.19_Endeavour_S8E2_Wellington-Square_Mamiya-6_400H_03_web 2021.04.19_Endeavour_S8E2_Wellington-Square_Mamiya-6_400H_06_web 2021.04.19_Endeavour_S8E2_Wellington-Square_Mamiya-6_400H_11_web

Sunrise in the woods

Monday, April 12th, 2021

Sunrise in Bagley Wood, September 2020. I hadn’t used my Pentacon Six for quite a long time up until this point so I decided to take it out for some exercise.

[Tech info:] Pentacon Six, Fuji 400H (expired), Noritsu scans.

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Endeavour 7: FILM 3 – part 5

Wednesday, February 26th, 2020

Behind the scenes during filming of Endeavour 7 | FILM 3 in Merton college, Oxford at the end of October, 2019. These shots are from two different days that the crew spent in Merton College making good use of the lovely grounds and some of the rooms (second unit also filmed a brief scene on Merton Street). Fortunately we had nice weather the whole time, dry but very cold.

[Tech info:] Rolleiflex 2.8F, Zeiss Planar, Fuji 400H (expired), Noritsu scans.

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Oxford: lunch break photo walk around Worcester College

Saturday, December 21st, 2019

First test roll with a 40mm wide-angle lens I recently picked up for my Bronica SQ-A. I’ve had the lens for a while but I needed some dry weather during my lunch break to test it out. The lens is very wide and allows close focusing which I like. The interior shot of Worcester College chapel was an 8 second exposure which is the slowest shutter speed on the camera. I can see that being very useful in some situations. The roll of Ilford Pan F I used expired in 2007 so I rated it at ISO 25. Even though slow films are meant to lose sensitivity over time slower than faster emulsions Pan F tends to suffer quite badly for a film with a box speed of ISO 50. Not a problem on this occasion because I wanted to use the 40mm lens fairly wide open. I’m pleased with the results from this lens and it’s a keeper.

[Tech info:] Bronica SQ-A, 40mm Zenzanon lens, Ilford Pan F (expired), developed in XTOL 1+1.

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