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Backstage: Cabaret, Oxford part 2

Monday, February 20th, 2012

These are the portraits I made of the cast and crew of Cabaret back stage at the O’Reilly Theatre, Keble College. Curtain up was probably around 20mins away so I was very rushed and also very cramped for space. These were done in a corridor at the bottom of the rear stair well, the bright lights facing the camera are lights on the wall. I thought they might look good as a background but they’ve turned out being brighter than I would have liked. I left my spot meter at home so I was unable to make very accurate exposure calculations. Overall I think these turned out well with all things considered. Thank you to everyone below that made time to be photographed.

I’m interested in doing more backstage photography on film so if you’re involved in a project or performance please get in touch.

[Tech info:] Mamiya RZ67 with 110mm lens loaded with Kodak Tri-X film rated at ISO1600. Processed in Kodak HC110 (dilution B, 1:31) for 17mins at 20c.

Cast member

I did a rough retouching job in Photoshop to erase the bright lights in the background of this image and I think it works better without them.

Cast member

Choreographer (right) and assistant choreographer

Cast member

 

Back stage: Cabaret, Oxford

Saturday, February 11th, 2012

Earlier this week I was lucky enough to have permission to do some back stage photography of a theatre performance of Cabaret at the O’Reilly Theatre, Oxford which was being put on by Oxford University students. It was the opening night so obviously tension was high. I was trying to be as low key as possible while everyone checked and double checked things and last minute rehearsals took place. I found the lighting in the theatre a bit too low for any decent photography so I I ended up setting up at the bottom of a rear stair well which not only seemed to be the place with the most amount of light but I was also out of the way of the crew that were dashing back and forth.

The problem I found was convincing the actors to spare a few seconds to be photographed. Understandably they had more important things on their minds so I didn’t get as much photography done as I had hoped. After a slow start luck was on my side. Just over an hour before the start it seemed like the entire cast had disappeared to grab a bite to eat and get into costume, all of them apart from Alice, the lead actress who was busy practicing on stage. I asked if she could spare a little time for photography and thankfully she was more than happy to. What struck me was how calm and composed she was considering it was the opening the night and we were so close to curtain up. It was so easy (and a lot of fun) to photograph Alice that I ended up finishing a roll of film in a matter of minutes. A little later I did get some shots of a few of the other cast members but I haven’t processed that film yet.

And now the bad news… As you can see the quality of these images is far from great, that’s because the film I used is a very high speed film for low-light photography and one of the things you should never do with high speed film is pass it through an x-ray scanner (the kinds you find at airports). It just so happens that a good friend of mine brought be back a few rolls of this film a few weeks ago from New York (it’s a lot more expensive if you buy it here) and I didn’t think to warn him about getting the film hand inspected at the airport. Lesson learnt – always test new film batches before using them on a live shoot.

So, apologies for the low quality images, no one is more disappointed than I am but sometimes these things happen. I do still very much like the images especially because of the location they were made in. The roll of film I used for the other shots was a different type so it won’t suffer from any x-ray damage. I just need to develop it properly without any problems.

Back stage photography is something I’m interested in doing more of so if you know of any productions in Oxford that would be interesting to photograph please let me know.

[Tech info:] Mamiya RZ67 with 110mm/f2.8 lens loaded with Ilford Delta 3200 (rated at ISO1600) processed in Ilford DD-X for 9mins, 20c.

Alice, the lead actress in Cabaret.

Shot 2 on the stairs.

Large format portrait: Anna & James

Sunday, January 29th, 2012

Yesterday I took my 10×8 large format camera out to make this portrait. James and I used to work together around 10 years ago but now he lives and works in London. I had a feeling that James and Anna would get a kick out of seeing my 10×8 camera and I wasn’t wrong. We even caught the attention of passers by and it felt like the cars were slowing down to have a look as they drove past. As I was setting up the beast of a camera James snapped some behind the scenes shots with his iPhone 4S. Honestly, you couldn’t have chosen two cameras more different in size if you tried. One of James’ pics of my 10×8 monorail camera is below.

[Tech info:] Toyo 810G 10×8 monorail camera, Nikon 300mm lens, Adox CHS 100 film processed in Rodinal 1:50 for 10mins (20C).

Anna & James

Toyo 10x8 camera

Toyo 10x8 camera

Test shoot: Kimberly

Monday, January 9th, 2012

With the joy of shooting on film comes the ability to have lots of different combinations of cameras, lenses, films and developers to choose from. When trying something out for the first time I often like to do a test shoot where I get to experiment a little and a model in return gets some experience and some unique images for their portfolio. These images are from a lunch break test shoot I did with Kimberly around Oxford. A great thing about shooting on film is that you don’t spend time between shots staring at a tiny LCD screen on the back of the camera inspecting a histogram to see if the exposure was correct or trying to decide on whether you like the shot you just made. With film there’s more of a flow instead of start stop, start stop. In total I think we spent 20mins for this shoot. These are just a few shots from the roll.

[Tech info:] Mamiya RZ67 with 110/2.8 lens loaded with Fuji Neopan 400 film which is a black & white film that needs processing through C41 colour negative chemistry. Processed and scanned by me.

Coffee shop window.

Turl Street.

Radcliffe Square.

Double exposure test on Fuji instant pack film (FP-3000B).