Recently I have been doing some wet plate collodion tintype photography and as it’s World Photo Day today I thought it appropriate to share some of my early results. It’s still early days for me and I don’t have my workflow dialled in yet to achieve consistent results but I’m really enjoying the surprise and beauty of the inconsistent results. These plates were scanned before I varnished them so the final results are slightly darker, richer and quite mesmerising to look at.
Here are some images from a recent lunchtime photography session with Ella. I wanted to practice a little with this camera and lens combination because while I really like the results I get from them, I’m not happy with the shutter release on the camera and how far you need to press before it will activate the shutter. I have a power-winder for it that came as part of the kit but I haven’t tried it yet. Maybe it’s about time I did. Ella was very easy to work with and hopefully there will be more opportunities to do some photography together.
[Tech info:] Mamiya 645 Pro TL, 80/1.9 lens, Fuji Acros 100 (expired) film, processed in Kodak HC110 1+31 for 5:30.
Some of the results from my large format lunchtime session with Alice using a 1940’s press camera. For this session I wanted to test out some Fomapan 100 film that I’ve had laying around for over a year and recently discovered. So far so good. I like these results. I’m hoping to do more large format photography in my lunch break because I really enjoy composing my shots on a large ground glass screen – often times upside down – and also having a limited amount of shots as well as the slower pace compared to other kinds of photography.
[Tech info:] Graflex Super D 5×4, Pentac 8inch f2.9 (bottom left), Kodak Ektar 190/5.6 lens, Fomapan 100 (expired), processed in Kodak HC110 1+31.
Film hanging up to dry
Here are two Fujiroids that I made at the end of my lunch break photography session with Xinlan yesterday. The sunlight was bouncing off the side of a white building which is one of my favourite kinds of light to photograph portraits in. Prior to these I finished a roll of Fuji Acros 100 in my Mamiya RZ67 and some of those shots will follow soon.
[Tech info:] Polaroid Land Camera 180, Fuji FP-100C instant pack film (expired).
These two shots were made during my lunch break today on Fuji FP-100C instant pack film (just like Polaroid) and are as they came out of the camera. The shot on the right was accidentally over-exposed but I decided to post it here as a comparison because I quite like it. To me it looks like expired Polaroid. Usually I under-expose Fuji pack film because I like to bleach the neg which gives 2 extra stops of detail in the shadows but as there wasn’t much detail in the shadows on this shot I decided not to under-expose. I also used some b&w film on this shoot and those shots will follow at a later time after I’ve developed them.
[Tech info:] Graflex Super D 5×4 camera, Pentac f2.9 lens (from WWII), Fuji FP-100C (expired) instant pack film
Last weekend I photographed lots of beautiful vintage kimono’s for ITO to use in their online store. Each kimono is a one of a kind and it was hard to believe from the amazing condition that most of them are from the 1920’s. For the final images I used a digital camera but as is usually my way I took along some film as well. The shoot went really smoothly but we had a lot of kimono’s to photograph so there wasn’t much time to do a lot of film photography but I did manage to make these two shots with a Polaroid camera. The shot on the left was made with just the window light, the shot on the right was a mix of window light and a Nikon speedlight through a white umbrella which I balanced to look natural. Many thanks to Catriona for organising everything and for keeping the shoot running smoothly.
[Tech info:] Polaroid 190 Land Camera, Fuji FP-100C instant pack film (bleached neg).
Here are some medium format shots I made during my recent lunch time session with Tori. I previously posted a couple of Fujiroid bleached neg shots here. The format for these shots was 6×9 which is one of my favourite medium format aspect ratios but I only have one camera that was designed to use that format and these shots reminded me that I don’t use it enough. You get 8 shots of 6×9 on a 120 size roll so it’s not a format for the trigger happy. For this shoot I decided to use fresh film stock for a change and while I can’t see a huge difference compared to some of my expired film shots I do think that the contrast was handled better on the contrasty back lit shots. We were a bit rushed in this session because I wanted to use medium format, 35mm and Fuji pack film all within 25mins which is not easy when you’ve got lots of people moving around during lunch time and you have to keep stopping to wait for a clear background but Tori was very patient despite the cold weather and we got everything done in time.
[Tech info:] Mamiya Universal, 100/2.8, Kodak Tri-X 400, processed in Kodak Xtol 1+1.
Today was a glorious sunny winters day here in Oxford and I made good use of it by doing some photography with Tori during my lunch break. I had three different film cameras with me today and here are two shots from the Polaroid Land Camera I took (the b&w shots are drying in the darkroom overnight so they’ll follow at a later time). There’s something really nice about winter sunshine and how it can make colours pop, it can also be very harsh and contrasty so it’s a nice challenge to look at how the light is falling on your subject and how the smallest of movements can mean the difference between nice and not so nice. Tori was incredibly easy to photograph and I hope we can do some more photography with different cameras and film. There is zero retouching on these two images, no Photoshop fakery, no filters, no plugins, just straight scans from the film.
These two shots were made on Fuji FP100-C instant pack film that expired 9 years ago. When you store it carefully and pay attention to how you expose it it’s capable of creating some fantastic results. I tend to underexpose it by a stop which results in a darker print but a nice negative that can be recovered with bleaching the black carbon layer off. The negatives are much sharper than the prints and you also get 2 stops of more detail in the shadows compared to the print.
[Tech info:] Polaroid Land Camera 190, Fuji FP100-C (expired), recovered neg.
Here are a few more shots from the first time out with my Industar 210mm large format lens. I only took six sheets of film with me and I used two sheets on one of the shots because the light was changing and I decided to try out a greater depth of field on the second sheet. I ended up preferring the light on the building in the first exposure so that’s the one I’ve posted here.
[Tech info:] Graflex Speed Graphic, Industar 210/f4.5 lens, Kodak Plus-X Aerographic film, processed in Kodak HC110 1+31 for 6 mins.
A large format portrait made on 10×8 inch xray film. The making of pic below was made by Amanda from her viewpoint but you don’t get a sense of how large this camera is. I really enjoy making simple honest portraits like this with nothing fancy in terms of styling, lighting or location – just one light, subject and camera.
[Tech info:] Wista 10×8, Sinaron 300mm lens, green sensitive xray film, processed in Rodinal 1+50 for 6 mins.
Wista pic by Amanda | Xray film hanging up to dry
Some film shots from a promo shoot I did for the Christ Church Commemoration Ball 2014 who’s theme was English Eccentrics. This was a really fun shoot to do but one of those times where I wished I had more time to shoot film. Thank you to everyone that gave up their time for this shoot and to the amazing Tori for putting it all together.
[Tech info:] Bronica ETRSi, 75/2.8, Fuji 400H (expired), processed and scanned by Ag Photo lab.
These shots are from my first shoot with Suzie on an overcast Saturday morning. I decided to experiment a little here and keep the overall look a little underexposed for a heavier feel. Two different cameras were used on these shots – one of them had a wide-angle lens on which was not what I had intended but I decided to go with it anyway and I quite like the results despite the obvious distortion. More to come.
[Tech info:] Pentax 6×7, 105/2.4 lens. Bottom two images with Mamiya RB67, 50mm lens. Kodak Tri-X (expired), processed in Kodak HC110 1+31.
