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Motorbike: MZ Trophy

Sunday, May 27th, 2012

While cycling home from my dress rehearsal shoot at Lady Margaret Hall (see previous post) I passed this nice looking motorbike (MZ Trophy) as it was waiting in the line of traffic at the South Parks Road traffic lights. I asked the rider (Simon) if I could do some quick photography of him on his motorbike with the cool film camera I had in my bag and he agreed so we carried on down to the Bridge of Sighs next to Hertford College. The motorbike is from 1971 so it’s a similar age to the camera I used. The camera I had with me was a Rolleiflex SL66 that had arrived in the morning so these are some of the first shots through it. Naturally I was a little nervous about whether or not they would come out because with old cameras you just never know. Fortunately they turned out great and  I had both colour and black & white film backs loaded with me so I was able to do a bit of both. On the b&w roll I had a few blank frames at the start of the roll and I’m missing a few shots from the end so I’ll have to look at why that happened, possibly user error. Thank you Simon for stopping and for being so patient while I juggled with the film backs.

[Tech info:] Rolleiflex SL66 and 80mm/2.8 Zeiss lens, loaded with Kodak 160NC (rated at ISO100) and Fuji Acros 100. Processed with a Rollei digibase C41 kit and Kodak HC110 dilution H (8.5 mins).

In front of the Bridge of Sighs.

I'm not sure where the light leak came from but I quite like it.

On the corner. (Movie trivia: the building in the background was used as the front of The Eagle pub in X-Men First Class).

Cool goggles (I'm in there).

 

Drama: ‘Unsex Me Here’, LMH, Oxford

Saturday, May 26th, 2012

There’s a Shakespeare festival here in Oxford at the moment and a few weeks ago I was contacted by the director of a one-off performance to see if I’d like to do some photography at one of their dress rehearsals. The actual performance is on 29th May 2012 at Blackwells Bookshop on Broad Street but these images were made at Lady Margaret Hall a few days ago. Only one of the cast is in elizabethan costume and I felt she’d make for better images than the others. For the colour shots I was experimenting with some film that expired in 2005 and I quite like the results. The black & white shots were made with fresh stock. If you do go and see it please leave a comment.

[Tech info:] Rolleiflex SL66 and 80mm/2.8 Zeiss lens, loaded with Kodak 160NC (rated at ISO100) and Fuji Acros 100. Processed with a Rollei digibase C41 kit and Kodak HC110 dilution H (8.5 mins).

LMH has nice gardens.

Window light.

Bounced light from the floor.

Dramatic.

LMH gardens.

Cast group shot.

Oxford: Fuji instant pack film

Friday, May 25th, 2012

These images are from earlier today. The first two were made during my lunch break, the other two were made near the University boathouses. The summer eights rowing competition is on at the moment so I went over to the boathouses after work to photograph anyone that caught my attention but I’m sorry to say that I didn’t manage to do much photography. The buzz that was there last year seemed to be missing which I found quite disappointing.

[Tech info:] I used a sliding Polaroid back on my Mamiya RB67 to shoot two frames on each sheet of Fuji instant pack film. I really enjoy thinking of two shots that will work together and it’s a shame I can’t shoot a roll of film like this.

Tailors in Little Clarendon Street. These guys are always sharply dressed which makes them very photogenic.

Triumph on St. Giles. I was rushing to make this shot and didn't notice the Polaroid back wasn't pushed all the way to the left. I hope I get to photograph this car again.

Edd and Owen of Hacked Off Films.

BMXer 'Pipe' Williams.

 

Test shoot: Hai Lin #3

Friday, May 25th, 2012

These shots are from my last test shoot with Hai Lin  it’s just taken me a while to process the roll of film because it was colour. With black & white film you can mix up the quantity of chemistry you need to process a single roll. With colour the chemistry is different because you can reuse it so I save up some colour rolls so that I can do them in batches. These shots were made on Kodak Ektar 100 film which I haven’t used very much. I like it so far.

[Tech info:] Mamiya M645 with 80/1.9 lens. Kodak Ektar 100 film. Processed and scanned by me.

Late afternoon sunshine.

Broad Street. I like the shadow in this shot.

Fading light. In the shade the colours look a little funky.

The light level was really low after the sun had gone down behind buildings.

I like the bokeh in this shot.

X-ray film test

Monday, May 14th, 2012

This is my first test with using 10×8 inch x-ray film instead of regular black & white film. Why? Because it’s cheaper. Another benefit is that you can handle it under a red safelight in the darkroom just as you can black & white paper so you can actually see what you’re doing. This not only applies to when you’re handling and loading the film into the film holders but also when you’re processing the film. A slight downside is that the surface of the film is very fragile and prone to scratching (it’s coated with emulsion on both sides) so extreme care is needed when handling. I first became aware of this film and the ability to use it instead of regular film from fellow photographer Mat Marrash via Flickr. I have him to thank for pointing me in the right direction and there have been some other photographers on Flickr that have since demonstrated how good this x-ray film really is.

The first shot below is the Lock keeper’s cottage at Iffley. For my first test with this film I didn’t want to travel a long way with the big 10×8 camera so I decided to walk to a location not too far from my house. My hope was to not only find something of interest to photograph that wasn’t going to move but also to do a test portrait as well. I figured that Iffley Lock is never short of people passing through and I’ve always meant to make a nice shot of the Lock keeper’s cottage so that location was an easy choice.

Once I had set up the 10×8 camera by the side of the Lock it was no surprise that people kept stopping to admire it. The camera looks like it’s 100 years old but 30 would be more accurate.  After I had made a few different test shots of the cottage and one of the Lock I had two sheets of film left. Lucky for me it was then that a lady came past with her three children and they stopped to ask me about the camera I was using. After a brief chat I offered to make a test portrait and they were kind enough to oblige. I have to say that these three kids were perfect subjects to photograph because they listened to everything I explained and they were able to sit perfectly still. Someday I hope to be able to say the same about my daughter 🙂

After I finished the portrait I let the kids peek under the dark cloth while their mum sat on the bench. It was lovely to hear them shriek with laughter as they saw the image of their mum upside down on the ground glass screen. It was then that it struck me that this was probably the first time that these kids had looked through a camera like this. They’re the digital generation coming into contact with something that couldn’t be more analogue. Hopefully they’ll remember how much fun it was. My thanks to the nice lady and her kids that stopped to chat and be photographed. I hope you like the shot.

[Tech info:] Wista 10×8 with Nikon 210mm lens. X-ray film rated at ISO 100 (it probably should have been 50), processed in Rodinal 1:50 (others use 1:100) for 7mins.

Lock keeper's cottage, Iffley.

My first portrait on x-ray film. I'm pleased with how this turned out.

 

Oxford: The Oxford Union Ball 2012 part 1

Sunday, May 13th, 2012

I was fortunate enough to be granted last minute (as in the day before) permission to photograph at the Oxford Union Summer Ball a couple of days ago and here’s a small preview of some of the images I made. This was my first summer ball where there was actually some summery weather and it made a huge difference to the look and feel of my images. For once I was able to rate the film at it’s normal speed and there was tons of gorgeous ambient light to make use of. I really like the architecture at the Oxford Union, both inside and out and I’d love to do more photography there. How amazing would it be to photograph the guest speakers there on black & white film?

[Tech info:] Mamiya C330f, 80/f2.8 loaded with Kodak Tri-X rated at 400. Processed in Kodak HC110 dilution B (1:31) for 7:10 at 21c.

Pouring drinks before the guests arrive.

The current society president (centre) with two friends.

Books in the library.

The library was used as a cloakroom for the evening and very impressive it was too.

 

Oxford: Keble College Ball 2012 part 4

Thursday, May 10th, 2012

Here’s part 4 of my images from the Keble College Ball last weekend. I’m enjoying going through these images and remembering all of the different people I spoke to and photographed on the night. I had a lot of fun, as did the guests. More images to come.

[Tech info:] Nikon D700 with either a 35/f2, 100/f2.8 series E or a Zeiss 50/f1.4 lens. Those are the lenses I took with me and I changed them up throughout the evening.

Guests having fun.

 

Oxford: Lincoln College Ball 2012 part 3

Wednesday, May 2nd, 2012

Here’s the first batch of images that I shot on film at the Lincoln College Ball 2012.There’s a huge difference in the look of these images compared to the digital images in the previous two posts. Please feel free to leave a comment to tell me which ones you prefer. I decided to try out a camera and flash combination that I hadn’t ever tried before and because I was using an old school camera I dusted off an old school Metz flash to pair it with. This particular flash is almost 25 years old and it cost me a week and a half’s wages from my first job after I left school.

[Tech info:] Mamiya C330f and 80mm lens loaded with Kodak Tri-X film rated at ISO 1600, processed in Rodinal (1:50 dilution).

guests at the Lincoln College Ball 2012

The evening started off with some of the guests having a sit down meal.

 

Oxford: 10×8 large format camera

Thursday, April 26th, 2012

I’m a huge fan of large format photography and I bought my first large format camera (a 5×4 inch Wista) back in 1990. At the time I was an assistant in a commercial photography studio where a lot of the work we did was car advertising photography for Rover which was shot on a 10×8 inch camera. The photographer I worked for has since retired from commercial photography and he’s been kind enough to let me borrow the same 10×8 inch camera that he used for all of the advertising work. It’a a big camera (four times the size of my 5×4 camera) and it’s also quite heavy. Only recently have I been able to find a rucksack big enough to hold it and last weekend I was finally able to take it out on the streets of Oxford which was lots of fun. I was only able to take 4 sheets of film with me on my outing because the combined weight of the camera, rucksack, lens and tripod all added up to quite a hefty load to be walking for 45mins into town with. I made it there and back in one piece and I can’t wait to do it again.

[Tech info:] Wista 10×8 camera with 300mm/f5.6 lens. Adox 100 film processed in Rodinal (1:50 dilution).

Wista 10x8 camera with a smaller lens than the one I took out on my session.

Here's the camera with a smaller lens than the one I ended up taking with me.

 

Ground glass screen

The view that I see from underneath the dark cloth. Image by Paolo Polzella.

 

Negatives drying in the darkroom

Negatives drying in the darkroom.

 

First shot, Turl Street, Oxford.

 

Street portrait

Street portrait, Turl Street. I made this shot in a hurry because this guy had to get back to work at the coffee shop down the road .

 

Morris dancers

Morris dancers, Broad Street, Oxford. Unfortunately this one has a processing problem where I didn't add enough film developer to cover the sheet of film.

 

Oxford: lunch time session

Sunday, April 22nd, 2012

The weather forecast turned out to be wrong so instead of a week of endless rain we were fortunate enough to have some nice sunny weather during the past couple of days and when the sun is out so am I. These shots are from the first roll of film through my Rolleiflex SL66 camera. It’s similar to a Hasselblad in that it uses the same Zeiss 80mm lens design and the image format is 6x6cm square but that’s where the similarities end. In my opinion the SL66 is a lot more versatile and has features the Hasselblad can only dream about. I breezed through a roll of film in my lunch break and because this camera is lighter than most of my other cameras I was able to cover a lot more ground than I usually do when carrying heavier cameras.

[Tech info:] Rolleiflex SL66 with 80mm and 150mm lenses. Ilford HP5+ film (expired in 2005) processed in Ilford DD-X.

rolleiflex sl66

Rolleiflex SL66. The previous owner was a food photographer who recently retired, he used this camera for 30 years.

a dog sitting in a shop doorway

Going nowhere. Shop doorway, Little Clarendon Street.

James (aka Cowboy Mod). Wellington Square. You can see me reflected in his sunglasses.

I love the way the background here looks like a painted theatrical backdrop. That's the Ashmolean Museum in the background.

Waiting for the bus outside the Randolph Hotel. The man was very pleasant and told me he used to work in the photo trade many years ago. We chatted about photography.

Ship Street.

A quick grab shot to see how well the camera coped with moving subjects. Turl Street.

Lunchtime at the coffee shop.

 

Experiments: Kodak barrel lens

Tuesday, April 17th, 2012

I recently bought an old Kodak barrel lens (Kodak No.33 Anastigmat 4.5 7 1/2 inch) for an insanely low price and these are some of the first test shots made with it. From what I can tell the lens is from the 1920’s or 1930’s because there’s no serial number on it so it’s certainly pre-1940’s which was when Kodak started to add them on their lenses. There’s no shutter which is where my Speed Graphic 5×4 camera comes in handy because it’s got a focal plane shutter built into the back.

So far I’ve been quite rushed when doing my tests with this lens because I’ve only had time during my lunch breaks to do any testing and so far I haven’t quite found its sweet spot yet for achieving nice bokeh. These images were all made on Fuji FP100-C instant pack film (just like Polaroid) and for a change I’ve scanned the negative after removing the black backing with household bleach. The prints look very different to these.

a double exposure

This double exposure was an accident and I was a bit gutted when I peeled the print but it's grown on me.

This is Richard who works at Clements & Church on Little Clarendon Street. It's a new men's tailor that recently opened. This shot was at least 1.5 stops underexposed but the negative seems to hold a lot more detail than the print.

Radcliffe Camera

My first shot with this lens. I decided to pick a subject that wouldn't move.

Stone masons

These are stone masons working on St. Mary's tower. They were very patient and we chatted about photography as I set up the shot. In my rush to get the shot I miss-framed it.

Bird feeder

Bird feeder. Another very underexposed shot that was rescued from the recovered neg. The light level was low and I chose a fast shutter speed to freeze the moving branches.

Oxford: lunch hour session

Monday, April 16th, 2012

Something a little different from my usual lunch hour sessions here because I don’t usually go to the pub at lunch time. A meeting I had at work ended up running over by almost an hour which meant my lunch break was later. I took this opportunity to break from my usual routine of walking into town and instead I explored the neighbourhood around where I work. The benefit of this was I had a lot more time to shoot because usually I only get 30mins to shoot as my walk into town and back is 15mins each way. The relaxed change of pace was nice and as it was a sunny day with a clear sky the light was very harsh and contrasty which resulted in great shadows around.  The following day I was back to my old routine again but I think I might mix things up a bit from now on.

[Tech info:] Mamiya C330f and 80mm lens loaded with Fomapan 200, processed in Rodinal 1:50 for 11mins at 20c.

Concrete staircase

Stairway to...

Tree shadow

I love this shadow

The Rickety Press pub interior

On my travels I ended up going inside The Rickety Press pub which was recently renovated. The light and shadows inside were fantastic.

old books

Old books on display and for reading.

old book spines

I liked the ornate spines on these books.

classic old penguin books

Penguin classics behind the bar.

OUP

Back to work.

radcliffe square oxford

Day 2. 'Cool camera' they said as I walked past. 'Thanks' I said, 'let me make a quick portrait of you with it'. Click!

Outside Brasenose College where some construction work is going on.

I thought the 3D glasses were cool and the contrast of outfits. On the steps of the Clarendon Building.

A men's tailoring shop recently opened in Little Clarendon Street and this is one of the tailor's working there.