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Backstage: Cabaret, Oxford part 2

Monday, February 20th, 2012

These are the portraits I made of the cast and crew of Cabaret back stage at the O’Reilly Theatre, Keble College. Curtain up was probably around 20mins away so I was very rushed and also very cramped for space. These were done in a corridor at the bottom of the rear stair well, the bright lights facing the camera are lights on the wall. I thought they might look good as a background but they’ve turned out being brighter than I would have liked. I left my spot meter at home so I was unable to make very accurate exposure calculations. Overall I think these turned out well with all things considered. Thank you to everyone below that made time to be photographed.

I’m interested in doing more backstage photography on film so if you’re involved in a project or performance please get in touch.

[Tech info:] Mamiya RZ67 with 110mm lens loaded with Kodak Tri-X film rated at ISO1600. Processed in Kodak HC110 (dilution B, 1:31) for 17mins at 20c.

Cast member

I did a rough retouching job in Photoshop to erase the bright lights in the background of this image and I think it works better without them.

Cast member

Choreographer (right) and assistant choreographer

Cast member

 

Lunch hour session: Oxford

Sunday, February 19th, 2012

It feels like ages since I did any street portraits so getting back into it this week has given me a real buzz. The weather in January was really bad so I didn’t get many opportunities to do much street photography. The shots here are all from the same roll of film shot during the past two days which makes them the fastest turned around images (from my camera to this blog) so far. The film I used is one of my favourites (Fuji Acros 100) but for this roll I decided to test out a developer that I haven’t used with this film before (Kodak HC110). I was a bit nervous because I had shots that I was very excited about and didn’t want to lose but nothing ventured nothing gained as they say. I’m pleased to say that it all worked out well and I’m very happy with this film/developer combo.

[Tech info:] Mamiya M645 and 80mm/f1.9 lens loaded with Fuji Acros 100 film. Processed in Kodak HC110 dilution B for 5mins at 20c.

I love the outfits this couple are wearing (I think they're a couple) and I hope I get to photograph them again.

I photographed this smartly dressed gentleman last summer on Cornmarket Street and when I saw him walking towards me on Turl Street I had to photograph him again.
security guard

One of the security guards where I work.

There's something very classic about the way this gentleman is dressed with his wax cotton coat and scarf. As he came walking towards me I had the feeling that he wouldn't want to be photographed but I was happy to be wrong.

On the steps of the Clarendon Building. The first time I passed this guy he was eating some lunch so I decided not to interrupt him. By the time I'd done a circuit of my usual haunts he had finished. Funnily enough someone else had asked to photograph him the other day.

builders taking a break

These builders are working on the Walton Street site at the corner of Little Clarendon Street. When i approached them they didn't want to be photographed but after I explained my street photography project they were happy to. I think there's something about using a film camera that shows people you're serious about photography in a way that digital cameras don't.

photographer holding a leica camera

I think this camera is a Leica. All of the logo's have been covered in black tape. It reminds me of what I did with my first Nikon SLR to prevent it from attracting attention.

Experiments: Ilford P4 Surveillance film – roll 2

Tuesday, February 14th, 2012

Here are some shots from the second roll of Ilford P4 Surveillance that I’ve tried out so far. I think that all of the rolls that I have left from this batch will be damaged like this. The film seems quite old and may have been poorly stored but I quite like the aged look so I don’t mind too much. These shots are very different from my usual style but I very much enjoyed a more ‘shooting from the hip’ snap shot approach here.

[Tech info:] Nikon FM2, 50mm/f1.4 lens, Ilford P4 Surveillance film processed in Kodak HC-110 dilution B (1:31), 9mins at 20C.

a man eating a sandwich

A bite to eat.

Outside The Randolph.

Rim light.

Standing still, St. Giles.

A sign of Spring? Wellington Square. I pass this tree every day but this was the first time I noticed these hanging around.

Oddbins off licence, closed after 40 years on the High Street.

Walton Street building project.

Two people map reading in Oxford

Map reading.

High Street shops.

A nice old shop front on Turl Street.

I like the shape of this bike frame and the seat looks nice and comfy.

Clothing shop, Little Clarendon Street. A nice shop front.

 

Experiments: Ilford P4 surveillance film

Saturday, February 11th, 2012

Recently I bought a job lot of film from someone on a well known auction site and among the different brands of film was some that I have never heard of, Ilford P4 surveillance. A little research pointed to it being used in traffic cameras and for surveillance (doh!) work. The film I received had been individually loaded into cassettes from a bulk roll, the empty box of which was included for me to read more information. I don’t know if the film I received was from the empty box because the expiry date on the box was 2010 but after processing the first two test rolls I noticed that one of the layers of film above the emulsion had come away in patches which is why these scans look uneven. There are also scratches across the film which points to grit in the felt trap of the cassette. I did rattle these shots off as a test so I don’t mind too much and I’m thrilled with the look of this film so it’s okay.

The thing that amazes me the most is the dynamic range this film is able to capture. I deliberately used it in situations where I know other films would struggle which is strongly backlit shots. The contrast is flatter than ‘normal’ black & white films and for an ISO400 film the grain is quite pronounced but I do like it. I’ve got lots more of this film to use for testing so more images will follow. These shots were made with my very first SLR camera that I bought in 1987 and although I probably haven’t used it in maybe 15 years the battery for the light meter still has power in it and I enjoyed using this camera more now than I ever did. Apart from the light meter the camera is completely mechanical and that’s partly why I love it so much. It will function without a battery and is totally manual – which roughly translated means you need to know what you’re doing because there’s no ‘P for Professional mode’ to help you.

[Tech info:] Nikon FM2 with 50mm/f1.4 lens loaded with Ilford P4 surveillance film. Processed in Kodak HC110 developer (dilution B 1:31) for 10mins at 20C.

old style bicycle with brooks saddle

Nice bike. I love the dated look of this shot.

brooks leather saddle

Brooks saddle.

cyclists in oxford

Broad street cyclists.

pedestrians walking on the road

Turl street.

the eagle and child pub in oxford

This pub was a favourite of JRR Tolkien and his pals.

a man rim lit by the sun

This image is a great example of the incredible dynamic range of this film. This man is walking directly towards a bright setting sun. The contrast in the scene was so high that all I could see was a silhouette but on film you can clearly see his rucksack and there's still plenty of detail in the sky too.

a long shadow behind a man walking towards the sun

Long shadow.

Another great example of a backlit subject by the setting sun. All I saw was a silhouette through my viewfinder.

 

Back stage: Cabaret, Oxford

Saturday, February 11th, 2012

Earlier this week I was lucky enough to have permission to do some back stage photography of a theatre performance of Cabaret at the O’Reilly Theatre, Oxford which was being put on by Oxford University students. It was the opening night so obviously tension was high. I was trying to be as low key as possible while everyone checked and double checked things and last minute rehearsals took place. I found the lighting in the theatre a bit too low for any decent photography so I I ended up setting up at the bottom of a rear stair well which not only seemed to be the place with the most amount of light but I was also out of the way of the crew that were dashing back and forth.

The problem I found was convincing the actors to spare a few seconds to be photographed. Understandably they had more important things on their minds so I didn’t get as much photography done as I had hoped. After a slow start luck was on my side. Just over an hour before the start it seemed like the entire cast had disappeared to grab a bite to eat and get into costume, all of them apart from Alice, the lead actress who was busy practicing on stage. I asked if she could spare a little time for photography and thankfully she was more than happy to. What struck me was how calm and composed she was considering it was the opening the night and we were so close to curtain up. It was so easy (and a lot of fun) to photograph Alice that I ended up finishing a roll of film in a matter of minutes. A little later I did get some shots of a few of the other cast members but I haven’t processed that film yet.

And now the bad news… As you can see the quality of these images is far from great, that’s because the film I used is a very high speed film for low-light photography and one of the things you should never do with high speed film is pass it through an x-ray scanner (the kinds you find at airports). It just so happens that a good friend of mine brought be back a few rolls of this film a few weeks ago from New York (it’s a lot more expensive if you buy it here) and I didn’t think to warn him about getting the film hand inspected at the airport. Lesson learnt – always test new film batches before using them on a live shoot.

So, apologies for the low quality images, no one is more disappointed than I am but sometimes these things happen. I do still very much like the images especially because of the location they were made in. The roll of film I used for the other shots was a different type so it won’t suffer from any x-ray damage. I just need to develop it properly without any problems.

Back stage photography is something I’m interested in doing more of so if you know of any productions in Oxford that would be interesting to photograph please let me know.

[Tech info:] Mamiya RZ67 with 110mm/f2.8 lens loaded with Ilford Delta 3200 (rated at ISO1600) processed in Ilford DD-X for 9mins, 20c.

Alice, the lead actress in Cabaret.

Shot 2 on the stairs.

Lunch hour session: Oxford

Sunday, February 5th, 2012

The images in this blog post are from an entire roll of medium format film all shot during the same lunch hour which is a first for me. Total time from start to finish was approximately 30mins. I’ve posted the images here in the same order that they were shot on the roll. It was a freezing cold day but in the sun it was somewhat bearable. The film I used here is slide/transparency film which is meant to be processed with E6 chemicals. I don’t have any at the moment so as an experiment I processed this in C41 chemicals which are meant for colour negative film. The result is meant to be crazy whacky colours but it’s also a bit unpredictable as you can see here. More testing is needed.

When I processed this roll of film I thought the chemicals had gone off because the colour of the developer looked darker than usual and I had mixed them 6 weeks ago. Not wanting to lose all of the shots on the roll I took a gamble and added on 30 seconds to the processing time. It looks like I needn’t have done that and the film got a bit over cooked. Fortunately the images weren’t lost but the contrast seems to have gone through the roof.

[Tech info:] Mamiya C330f with 80mm lens loaded with Kodak Ektachrome 100G film.

metal gas cover

G.A.S. (aka Gear Acquisition Syndrome, a little in joke)

This is one way to hold your camera steady.

construction work on Bodelian Library, Oxford

Work continues on the Bodleian Library building, Broad Street.

oxford university students

University students, Radcliffe Square.

tourists, oxford

Tourists, Divinity Schools quad.

students having lunch

Students keeping warm in the sun.

students taking a break

Coffee and a muffin.

Georgina and friend. I first met Georgina during a rehearsal for POSH at the Oxford Union. It was sheer chance that we bumped into each other this time so I had to do a street portrait.

My impromptu street portrait had put Georgina and her friend off course and they ended up looping around the Divinity Schools and bumping into me again. This time I decided to try a different spot with better light.

red crane, bodleian library

Bodleian Library crane.

photographer using a praktica camera

Another film photographer that I passed on my way back to my office.

 

Large format portrait: Anna & James

Sunday, January 29th, 2012

Yesterday I took my 10×8 large format camera out to make this portrait. James and I used to work together around 10 years ago but now he lives and works in London. I had a feeling that James and Anna would get a kick out of seeing my 10×8 camera and I wasn’t wrong. We even caught the attention of passers by and it felt like the cars were slowing down to have a look as they drove past. As I was setting up the beast of a camera James snapped some behind the scenes shots with his iPhone 4S. Honestly, you couldn’t have chosen two cameras more different in size if you tried. One of James’ pics of my 10×8 monorail camera is below.

[Tech info:] Toyo 810G 10×8 monorail camera, Nikon 300mm lens, Adox CHS 100 film processed in Rodinal 1:50 for 10mins (20C).

Anna & James

Toyo 10x8 camera

Toyo 10x8 camera

Street portraits: paper negatives

Thursday, January 26th, 2012

Yesterday I took my Speed Graphic 5×4 camera out to do some paper negative tests. There was no light for photography because the sky was heavily overcast and there was a threat of rain in the air. I was determined to make some exposures to see how the paper negatives would cope in such horrible conditions. The Speed Graphic always seems to attract attention and this occasion was no exception. I’m not surprised because it’s not every day you see someone out and about using a camera from the 1940’s.

It didn’t take too long before I found willing subjects to stand still for me. The exposure times for these was 3 seconds. The stone on the walls and the floor was a lot lighter than the dark clothing so I had to sacrifice it in the exposure. I was excited to scan these and did so in a hurry so perhaps with more time I might be able to get some more detail from these shots because there is more detail in the original paper negatives.

[Tech info]: Speed Graphic 5×4 with 203mm Ektar lens. Ilford multigrade glossy rc paper with a grade 2 filter on the camera lens.

This gentleman was very calm. When I asked him to stand very still he asked if I meant motionless. I like that word.

This guy was a cool character. He was only in Oxford for the day and was looking for interesting places to visit.

Lunch hour session: Oxford

Monday, January 16th, 2012

Here are some images from a roll of film I used to test my handheld spot meter last autumn. The vintage Jaguar car is owned by a german couple who had driven it from Germany. I was walking back to my office when I spotted it parked on St Giles. The owners had just parked but needed change for the parking meter – they were 20p short. I didn’t have change for £1 but I did have 20p so I gave it to them in return for being able to photograph the interior. They were very flattered that I was so interested in their car, unfortunately the shadows inside and the black dashboard meant there shot was far from ideal but that’s how it goes sometimes.

[Tech info:] Camera: Mamiya C330f | Lens: 80/2.8 | Film: Fuji Acros 100

vintage jaguar car

Purrrrr.

vintage jaguar car

3.4 litres to fill this thirsty cat.

vintage jaguar interior

The owners told me that the stereo was not the original so I made sure that it didn't feature in this shot.

padlock and chain

Boatyard, Port Meadow.

brooks leather saddle

I never get tired of photographing old Brooks saddles.

Shard of light

Shard of light. I'd often see this on my way back to my office at the end of lunch break and on this occasion I decided to finally photograph it.

Test shoot: Kimberly

Monday, January 9th, 2012

With the joy of shooting on film comes the ability to have lots of different combinations of cameras, lenses, films and developers to choose from. When trying something out for the first time I often like to do a test shoot where I get to experiment a little and a model in return gets some experience and some unique images for their portfolio. These images are from a lunch break test shoot I did with Kimberly around Oxford. A great thing about shooting on film is that you don’t spend time between shots staring at a tiny LCD screen on the back of the camera inspecting a histogram to see if the exposure was correct or trying to decide on whether you like the shot you just made. With film there’s more of a flow instead of start stop, start stop. In total I think we spent 20mins for this shoot. These are just a few shots from the roll.

[Tech info:] Mamiya RZ67 with 110/2.8 lens loaded with Fuji Neopan 400 film which is a black & white film that needs processing through C41 colour negative chemistry. Processed and scanned by me.

Coffee shop window.

Turl Street.

Radcliffe Square.

Double exposure test on Fuji instant pack film (FP-3000B).

Hot air balloon flight over Oxford

Friday, December 30th, 2011

A work colleague of mine kindly gave me a free flight in a hot air balloon because she had a couple spare vouchers and was only given 45 mins notice before take-off and her family who were originally meant to go couldn’t reach Oxford in time. We went on the flight with another co-worker of ours and took off from playing fields near the Botley Road. The wind was expected to pick up quite fast and there was only a small window for us to get airborne before it would be too windy to take off. At one point the wind caught the balloon while it was on its side being filled with air and a few of us almost got dragged across the playing field. It was very exciting as we all helped prepare the balloon.

Fortunately we managed to get into the air just in time before it was too windy to do so and to say the flight was thrilling would be an understatement. Never mind a gentle relaxing slow trip, we were moving at quite a clip and covered so much ground that our pilot told us we’d travelled about three times the usual distance. The view was spectacular and everything looked crystal clear, almost like watching a tv documentary in HD. The wind continued to pick up speed during our flight so we had to come down in quite a hurry and landed with helluva bump in someones field. All’s well that ends well and despite me suffering a little whiplash everyone climbed out of the basket in one piece. It was a fantastic experience and something I hope to do again someday when my daughter is old enough and tall enough to look out over the top of the basket!

[Tech info:] Mamiya C330f with 80mm lens. Film used was Kodak Portra 400 and Fuji Reala. Processed and scanned by me.

Assembling the hot air balloon

Some assembly required

Unpacking the hot air balloon

Unpacking the balloon

Filling the balloon with air

Filling the balloon with air

Filling the balloon with air

Inside the balloon

View through the inside of the hot air balloon to the top

View through the inside of the balloon to the top

Preparing for take-off

Preparing for take-off. I was the last one in.

Hot air burners

Hot air burners

Oxford University Press below us

Oxford University Press below us

The dreaming spires of Oxford

The dreaming spires of Oxford

Little village from the air

We passed over small villages and lots of fields

A road through a forest

I liked the shapes in the landscape below us. This is shortly before we landed.

Lunch hour session: Oxford

Tuesday, December 27th, 2011

The weather recently has not been very nice for photography. It’s either been very dark and gloomy with no interesting light or it’s been raining. Here are some images that I managed to get during a brief spell if nicer weather. I think these were all made during the same lunch hour.

[Tech info:] Mamiya RZ67, 110mm lens with Kodak Tri-X film, processed in Ilford DDX for 8mins at 20C.

Shoes for sale in a shop window

Shoe shop, Turl Street.

studying in a coffee shop

One of the very few times I've not asked permission before photographing someone. The Missing Bean, Turl Street.

Happy students sitting on a bench

These two students were so friendly and cheerful about being photographed that it gave me a spring in my step as I headed back to my office. Broad Street.

Builders

These two guys seem to be regulars on this blog. They're usually on their lunch break as I head back to my office and my route takes me right past them. They're part of the demolition crew working on the parade of shops along Walton Street.

Builders

This shot was made directly after the one above but this time I asked these guys to step out of the direct sun.