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Photo shoot: Kristina

Saturday, December 1st, 2012

You might recognise Kristina from some of my Oxford Fashion Week images because that’s where I first met her. I made these shots during a short photo shoot in my lunch break. The light was very flat on a cold overcast day. Kristina’s outfit certainly wouldn’t have been my first choice as being particularly photogenic but sometimes as a photographer you have to work with what you’re given. The light bouncing off of the white jumper was so bright compared to everything else in the scene but the film and processing has kept it under control nicely. I semi-stand developed this film which tends to retain highlight and shadow detail incredibly well.

[Tech info:] Pentax 67, 105mm/f2.4 lens, Kodak Tri-X film processed in Rodinal 1:100 for 1 hour (semi-stand).

Kristina

Oxford: Backstage during Oxford Fashion Week 2012

Saturday, November 17th, 2012

These images span two shows, The Elysium Show (held at Oxford Town Hall) and The Haute Couture Show (held at the Ashmolean Museum). All of these images are from the same roll of film. There are only 15 frames on the roll so I had to exclude some here because I wanted to make a neat grid. I’ll post the others in a different post. This was the first time I had used Kodak TMAX 400 film in many years so this was somewhat a bit of a test to see how it would cope in low light being pushed 2 stops. I’m stunned at how fine the grain is and how smooth the tones are considering the harsh lighting conditions I was working in (overhead ceiling lights). The results look better than the Tri-X I shot at the same time.

[Tech info:] Bronica ETRSi with 75mm lens, loaded with Kodak TMAX 400 film, rated at ISO 1600. Processed in Kodak HC110 for 7.5mins.

Oxford: Lunch hour session

Wednesday, November 14th, 2012

To break up all of the images I have to post from Oxford Fashion Week we return to our regularly scheduled programming to bring you images of some people that I photographed during my lunch hour photo walks around Oxford city centre. These are mostly from the same day. You’ll notice some familiar faces in amongst this set. I’m very pleased with how these all turned out.

[Tech info:] Bronica ETRSi, 75mm and 50mm lenses. Fuji Acros 100 film stand developed in Rodinal 1:100 for 1 hour. Note the top left image was made on expired (2002) Tri-X. I meant to semi-stand and agitate at the 30min mark but I was processing some other film at the same time and forgot.

Oxford: OFW 2012, Haute Couture show, Ashmolean Museum

Sunday, November 11th, 2012

Here are the Fujiroids (aka Polaroids) that I shot last night, back stage at the Haute Couture show which was held in the Ashmolean Museum as the finale to Oxford Fashion Week 2012. When I think back at all of the amazing dresses and stunning models that were at the show I can’t help feel a little frustrated that this is all I managed to come away with in terms of instant pack film shots. The schedule was so tight compared to last year there wasn’t enough time allowed for photography – something that surprises me considering the benefit to everyone (designers, models, photographer and OFW). I did my best with the time and limited space I had to work in and came away with a set of images that I am pleased with but it’s the ones that got away that are hard to forget. I shot with a range of cameras, digital, colour and black & white film so there are plenty of more shots to come. Something I love about Fujiroids is that they are unique one of a kind gems. You want limited edition? This is it! The scans here don’t do the original prints justice.

Thanks goes to the back stage crew that helped me and to the models for being patient while I juggled different cameras and lighting. The shot in the bottom right corner is of two of the OFW crew that helped me test my lighting setup.

Shots made back stage on FP100-C Fuji instant pack film

Haute Couture show, Ashmolean Museum, Oxford. OFW2012.

Oxford: Mamiya Universal

Wednesday, November 7th, 2012

Recently I’ve been using quite a bit of Fuji instant pack film (similar to Polaroid) and while my go to camera is usually my Mamiya RB67 with the sliding Polaroid back that allows me to photograph diptych’s I’ve been missing the ability to shoot full-frame with a single image filling the print on a camera with manual controls. Enter the Mamiya Universal press camera. It’s certainly not going to win any prizes in a beauty contest but it is fun to use and delivers nice results. I’m still getting to grips with it, below are some shots I made on a walk near Hinksey lakes last weekend. The temperature outside was quite cold which resulted in some streaky/uneven development of the pack film. I’ll try to remember to take my cold clip with me next time.

[Tech info:] Mamiya Universal press camera, 100mm/f3.5 lens, loaded with Fuji FP100-c instant pack film.

Oxford: Lunch hour session

Thursday, November 1st, 2012

The first roll through a Mamiya 645 Super camera that I’m testing out and unfortunately quite a few frames have focus problems. I was rushing to shoot the whole roll in my lunch hour so that has to be factored in but I have never had so many badly focussed pictures, ever. Another test roll is required for me to make any final judgements, I’ll be more careful with that one!

[Tech info:] Mamiya 645 Super, 80/f2.8 lens, loaded with Fuji Acros 100 film, processed in Rodinal 1:100 (semi-stand) for 1 hour. (3 gentle agitations after 30mins).

 

Experiments: Freelensing

Monday, October 29th, 2012

These shots are my first attempts at experimenting with freelensing which is when you hold a lens in front of a camera without it being physically attached to the camera. The beauty of this is being able to freely move the lens around and create tilt/shift effects that you’d never be able to achieve if the lens was attached to the camera body. The images here were created 100% in camera on film, I haven’t applied any fake filters. Have you ever wondered where ideas for the looks you get in apps such as Instagram come from? These were the last three frames on the roll I happened to have in my camera at the time. Now that I’ve seen how good these shots have turned out I’m keen to try this technique on some portraits. Any volunteers?

[Tech info:] Rolleiflex SL66 with an old Carl Zeiss lens that I transplanted from a 6×9 folding camera, Fuji Pro 400H film home processed by me.

Radcliffle Camera railings

Radcliffe Camera entrance

Side of Bodleian Library

 

Oxford: Lunch hour session

Sunday, October 28th, 2012

My tests with semi-stand film development continue, this time I used a roll of Kodak Plus-X that expired in 2001. It came in a batch of random expired films that I bought a while ago and to be honest I wasn’t expecting great results but I was pleasantly surprised when I hung this roll up to dry. For this roll I used Rodinal because some of my research into stand development suggested it to be a good developer to reduce base fog of expired film, this information proved to be correct. The whole roll was shot during one lunch hour in some of the gloomiest weather/light you can imagine but you’d never know it from the images. These images are from the first half of the roll.

[Tech info:] Bronica ETRSi, 75mm/f2.8 lens, loaded with Kodak Plus-X (expired 2001), processed in Rodinal (1:100) for 1 hour with 3 gentle agitations after 30mins.

Oxford: Lunch hour session

Friday, October 26th, 2012

These images are from the first test roll through a medium format camera I came across recently. It’s a Bronica ETRSi (6×4.5 format) and so far I have really enjoyed using it thanks to its small compact size and light weight. The weather this week in Oxford has been incredibly grim and gloomy but I was so keen to try this camera out that I decided to shoot some test shots regardless and after seeing these shots I’m glad I did. More to come.

[Tech info:] Bronica ETRSi, 75mm/f2.8 EII lens, loaded with Kodak Tri-X 400, processed in Kodak HC110 (1:119) for 1 hour (20sec agitation after 30mins).

Richard the tailor, first frame on the Bronica.

Bike, Walton Street

Autumn leaves on car, Wellington square

Walton street

Construction worker, Little Clarendon Street

Construction worker, Little Clarendon street

Alex

Construction worker

Construction worker currently working on the big Walton Street project

 

Experiments: Semi-stand film developing

Monday, October 22nd, 2012

Recently I’ve been doing a little research into semi-stand film developing and I finally felt ready to give it a try. First I needed a roll of film to process so I shot one during a lunch hour and headed over to the darkroom after work. The film expired in 2003 so I was half expecting a bit of a fail with this experiment but despite quite a heavy base fog on the film it seemed to scan quite nicely considering the age of the film.

[Tech info:] Mamiya M645 1000s, 80mm/f1.9 lens, Kodak Tri-X (expired 2003), processed in Kodak HC110 (dilution 1:119) for 1 hour with a few gentle agitations at the 30min stage. I used 6ml of HC110 syrup to make 720ml of working developer, this is what my research suggested.

Oxford: Lunch hour session

Sunday, October 21st, 2012

Some photography from earlier in the summer, made during my lunch hour photo walk around Oxford city centre. I planned to post these soon after processing them but they got a bit lost in the shuffle of my mountain of films to scan so I apologise for the delay. We had a bit of a wet summer as I recall and one of my favourite places to go when it’s raining is the University museum of natural history on Parks Road (the bottom four images). Not only does the building have an incredible interior but it’s packed with amazing things too. Well worth a visit.

[Tech info:] Rolleiflex SL66, 80mm Zeiss planar lens with Fuji Acros 100 film, processed in Rodinal 1:50.

Oxford: Lunch hour session

Saturday, October 20th, 2012

These shots were made earlier in the summer during one of my lunch time photo walks. Somehow they got lost in the shuffle and were scanned but I didn’t get around to posting them (that seems to happen a fair bit with me because I do so much photography). Apologies if you were waiting for these to show up.

[Tech info:] Mamiya M645 1000S, 80/f1.9 lens with Fuji Acros 100 film, processed in Kodak HC110 (dilution b).