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Endeavour 8: FILM 2 – part 4

Tuesday, April 12th, 2022

Behind the scenes photography during filming of Endeavour 8 | FILM 2 in Oxford, April 2021. This was a night shoot in Wellington Square, the location for Joan Thursday’s flat. In reality it’s a couple of doors down from the exterior of Endeavour’s basement flat in series 3. I used Kodak TMAX P3200 film on this occasion because I like how it handles high contrast during night photography but to get the best out of this film I’ve found you need to use Kodak TMAX film developer and agitate every 30 secs as described in the Kodak film data sheet.

[Tech info:] Leica M6, 50/1.5 Voigtlander Nokton, Kodak TMAX P3200, developed in TMAX developer. Pakon scans.

20210419_Endeavour_S8E2_Wellington_Square_M6_TMZ_1600_01_web

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Tags: 2021, 35mm, black&white, endeavour, film, filming, iso1600, leica, m6, night, oxford, pakon, s8e2, voigtlander

Endeavour 8: FILM 2 – part 3

Sunday, April 10th, 2022

Behind the scenes during filming of Endeavour 8 episode 2 in Oxford, April 2021. It was all about the taxi’s for this session. I quite like this dead end road the crew were filming on because the buildings funnel the light in while allowing it to bounce around at the same time which works well for contrasty sunny conditions.

[Tech info:] Leica M6, (can’t remember which lens), Eastman Double X film, developed in D96 for 7.30. Pakon scans.

20210418_Endeavour_S8E2_Magpie_Lane_M6_XX_r2_30_web

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Tags: 2021, 35mm, black&white, d76, double x, endeavour, film, filming, leica, m6, oxford, pakon, people, s8e2, taxi

Oxford: Happy Valley

Thursday, April 7th, 2022

Some pictures from an evening walk around Happy Valley in March 2021. I was experimenting with depth of field as the sun was dropping. I keep meaning to go back here with a larger format camera and feel the pond there has potential in different seasons.

[Tech info:] Nikon FA, 50/1.4D, Ilford FP4, developed in Kodak HC110 1+31, Pakon scans.

20210327_Happy-Valley_FA_FP4_HC110B_02A_web

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Tags: 35mm, black&white, film, fp4, happy valley, hc110, nikon, oxford

Endeavour 8: FILM 2 – part 2

Monday, April 4th, 2022

Behind the scenes during filming of Endeavour 8 episode 2 in Oxford, April 2021. The first two images show a character who sadly didn’t make it into the final edit which is a shame because it was an intriguing scene.

[Tech info:] Leica M6, (can’t remember which lens), Eastman Double X film, developed in D96 for 7.30. Pakon scans.

20210418_Endeavour_S8E2_Magpie_Lane_M6_XX_05_web

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Tags: 35mm, black&white, d96, double x, endeavour, film, filming, leica, m6, oxford, pakon, people, s8e2, taxi

Endeavour 8: FILM 2 – part 1

Friday, April 1st, 2022

Behind the scenes photography during filming of Endeavour series 8 episode 2 in Wellington Square, Oxford. April 2021, lockdown restrictions had eased enough to allow filming to commence. I limited my photography to the exterior scenes. A nice little detail to look out for is the box of matches inside the taxi with the C. Dexter Matches brand.

[Tech info:] Leica M6, Eastman Double X motion picture film, developed in D96 stock for 7.30, Pakon scans.

20210419_Endeavour_S8E2_Wellington_Square_M6_XX_07_web

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Tags: 35mm, black&white, d96, double x, endeavour, film, filming, leica, m6, oxford, pakon, people, s8e2

Oxford: Foggy Boxing Day

Tuesday, January 4th, 2022

Here are some shots made during a foggy night in Oxford on Boxing Day last year, between 10pm and 12am. I chose to develop the film in 510 Pyro to see how well it held the highlights and I’m pleased to say it did exceptionally well as you can see from the pictures. The dynamic range between the street lights and the dark shadows in these night shots is huge but it didn’t seem to give 510 Pyro any problems. One of the last shots I calculated to be a 4 minute exposure with reciprocity but in hindsight I feel I miscalculated and overexposed the shot by at least 1.5 stops but the shot it still totally usable.

[Tech info:] Pentax 645N, 55/2.8, Ilford FP4, developed in 510 Pyro 1+100 for 11mins.

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Tags: 510 Pyro, 645, 645N, black&white, fog, fp4, Milford, night, oxford, pentax

Dorset: Symmondsbury

Saturday, November 6th, 2021

Some pictures here from a recent trip to Dorset. There are nice views of Colmers Hill from Symmondsbury and it’s also easily accessible from there if you want to walk to the top. The first and second pictures below were a comparison of how different focal length lenses affect the relative size of distant objects. The first shot was with a 28mm lens and notice how small and far away Colmers Hill looks compared to the second image which was made with a longer focal length (either 50mm or 135mm, I can’t remember which). I tried to keep the size of the gate in the frame the same for each.

[Tech info:] Pentax MX, Ilford HP5, developed in Promicrol 1+14, Pakon scans.

20210923_Symondsbury_PMX_HP5_Promicrol_03_web

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Tags: 35mm, black&white, dorset, HP5, ilford, pakon, Pentax mx, promicrol, symmondsbury

Exmouth: a day at the beach

Friday, November 5th, 2021

Some pictures from a recent trip to Dorset. On one of the days we went to Exmouth and spent the day on the beach. A nice place to visit. Easy parking and not too extortionate. We lucked out with the weather especially it was getting towards the end of September. On this trip I decided to travel light and only took a small 35mm film kit (Pentax MX, 28mm, 40/2.8, 50/2 and 135mm lenses). I didn’t take all the lenses out at the same time, usually only 2 but sometimes 3 (28, 50, 135). I like the jump in focal length from 50mm to 135mm because the perspective is very different which makes carrying them both well worthwhile.

[Tech info:] Pentax MX, Ilford Pan F, orange filter, developed in Promicrol 1+14.

20210921_Exmouth_PMX_PanF_Promicrol_01_web

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Tags: 35mm, beach, black&white, devon, exmouth, film, ilford, pan f, Pentax mx, promicrol

Oxford: quiet morning in Jericho

Thursday, November 4th, 2021

Here are some pictures from a recent walk around Jericho with a mate of mine. I wanted to test out a camera and it’s been quite a while since I walked around Jericho so it was nice to combine the two. This roll of FP4 film is part of the blotchy batch I have and rather than throw it away, I use it for testing.

[Tech info:] Mamiya 645 ProTL, 80/2.8N, Ilford FP4, developed in HC110 1+31.

20211023_M645ProTL_80mm_FP4_HC110B_1_web

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Tags: 645, black&white, film, fp4, hc110, ilford, jericho, mamiya, oxford, protl

Endeavour 8: FILM 1 – part 3

Tuesday, October 5th, 2021

These behind the scenes pictures from Endeavour 8 FILM 1 show scenes which were not used in the final edit. The shots of the Royal Mail postal workers on the picket line was most likely intended for the opening sequence. I’m not sure about the scene with Jack Swift and the Jaguar sports car. Merton Street, Oxford.

[Tech info:] Leica M6, Eastman Double X film, 50/1.4 and 75/1.8 Voigtlander lenses, developed in D96. Pakon scans.

20210314_Endeavour_S8E1_Merton-Street_M6_XX_001_web

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Tags: 35mm, black&white, double x, endeavour, film, filming, leica, m6, oxford, pakon, people, s8e1, voigtlander

Endeavour 8: FILM 1 – part 1

Thursday, April 15th, 2021

Behind the scenes (socially distanced) photography during filming of Endeavour 8 episode 1 on Merton Street in Oxford. I can’t remember the last time the streets were this empty while the Endeavour crew were here – it was rather nice.

[Tech info]: Leica M6, 50/1.5 Voigtlander Nokton, Eastman Double X film developed in D96. Pakon scans.

20210314_Endeavour_S8E1_Merton-Street_M6_XX_036_web

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Tags: 35mm, black&white, d96, double x, endeavour, film, filming, leica, m6, merton street, oxford, pakon, people, s8e1, voigtlander

Sunrise in the woods

Monday, April 12th, 2021

Sunrise in Bagley Wood, September 2020. I hadn’t used my Pentacon Six for quite a long time up until this point so I decided to take it out for some exercise.

[Tech info:] Pentacon Six, Fuji 400H (expired), Noritsu scans.

R1-03440-02_web R1-03440-03_web R1-03440-05_web R1-03440-08_web R1-03440-09_web R1-03440-12_web

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Tags: 2020, 400H, 6x6, bagley wood, c41, film, noritsu, pentacon six, sunrise

Simply Oxford photoblog

Photography by Nasir Hamid