Behind the scenes during filming of Endeavour series 5, episode 5 in the grounds of Brasenose College, Oxford. The whole day was spent at Brasenose but these are the only shots I can share from this roll without giving any spoilers. The others will follow after the episode has been broadcast.
[Tech info:] Konica Hexar AF, Ilford HP5 developed in Kodak HC110 1+31, Pakon scans.
A day of filming inside the police station interior set for series 5 of Endeavour. I was fortunate enough to spend a day with the cast and crew and this is a little peek behind the scenes. On this occasion I took a lens with me that doesn’t usually get a lot of use – 35/1.2 Voigtlander Nokton. This is neither a small nor a light lens but it comes into its own in low light situations, even wide open.
[Tech info:] Leica M6, 35/1.2 Voigtlander Nokton, Ilford HP5 @ ISO 1600, developed in Kodak Xtol stock, Pakon scans.
J. J. Abrams came to the Oxford Union for a Q&A event and I went along to do some documentary photography. In March last year I photographed Mark Hamill sitting in the same chair while on a break from filming Episode VIII so it was nice to hear J. J. Abrams talk a little – but not much – about Episode IX. Conversation mostly centred around Star Wars but tv shows that he had created and worked on did get mentioned – I highly recommend ALIAS if you’ve never watched it. There were no video cameras at the event so unfortunately this won’t be appearing on the Oxford Union YouTube channel. Without help from the lights that the video crew use the light level in the debating chamber is quite low for photography which is why I had to push my film to ISO 3200 which isn’t a problem for Ilford HP5.
[Tech info:] Leica M6, 40/1.4 Voigtlander Nokton, Ilford HP5 @ ISO 3200, developed in Kodak HC110 1+15. Pakon scans.
Behind the scenes during filming of Endeavour series 5, episode 4 in Oxford. At the start of this roll the main action was taking place inside rooms at Exeter College – you can see the big lights used to simulate sunlight through the windows. After that it was a location move around the corner to Radcliffe Square for a very quick shot involving supporting artists only and once again a big light was used to simulate sunlight. It’s amazing how much work goes into what will probably end up being seconds on screen.
[Tech info:] Leica M6, Voigtlander 40/1.4 Nokton lens, Ilford FP4 developed in Tetanol Ultrafin. Pakon scans.
This is a short Endeavour post because most of the shots on this roll contain spoilers so they will have to wait until after the episode has been broadcast. This day of filming took place in the grounds of Brasenose College and apart from a rain shower in the morning and at the end of the day we were fortunate with the weather. It was a busy day with quite a few setups to get through and because of the rain at the end of the day and the rapidly dropping light level the last setup was reshot the following day in much better conditions. Rain or shine the crew always soldier on.
[Tech info:] Leica M6, Voigtlander 40/1.4 and 75/1.8 lenses, Eastman Double X motion picture film developed in Kodak D76. Pakon scans.
Music composer Howard Shore came to the Oxford Union for a Q&A event and I went along to do some documentary photography. He has composed the scores for over 80 films but appears to be most well known for his work on the Lord of the Rings and The Hobbit film trilogies. I’ve been a fan of his film scores for many years and was hoping there would be some discussion on his collaborations with David Fincher – one of my favourite directors – but the Lord of the Rings movies was the main topic of conversation on this occasion. The projector screen you can see in some of the pictures was used to play some movie clips to talk about which was a great idea.
This was my first event at the Oxford Union since the summer break and with a new term there is a new President – Chris Zabilowicz. There’s an impressive line up of guest speakers planned for this term and lots to look forward to.
[Tech info:] Leica M6, Voigtlander 40/1.4, Ilford HP5 @ ISO 1600, developed in HC110 1+15 using the time for 3200 to give an extra boost to the negs. Pakon scans.
Behind the scenes photography during filming of Endeavour series 5, episode 4. This was the last day of filming and it was interiors all day at the Police station. Watching how the set was brought to life with simulated sunlight pouring in through the fake windows was fascinating, add in some haze and you’re instantly transported back to the 1960’s. It was a fun day and we even managed to finish slightly ahead of schedule which always makes for a happy crew.
[Tech info:] Leica M6, 40/1.4 Voigtlander Nokton, Ilford HP5 @ ISO 1600, developed in Xtol stock. Pakon scans.
For quite a while I have wanted to use some Fuji Acros 100 film for night photography because it supposedly does not suffer from reciprocity failure for exposure times up to 1 minute and now that it has started to get darker earlier I decided it was finally time to give it a go. On this occasion I was joined by Graeme – one of the presenter’s of the Sunny 16 podcast – which made for a fun evening of photography and chat. We got lucky with the weather and the temperature was unusually mild for the end of September which made standing around for long exposures no problem at all. The last shot below of the Radcliffe Camera was exposed for just over 1 minute and I added in a little light painting on the roof for good measure. This film certainly didn’t lose sensitivity for such a long exposure time and I will be using it again for more night photography soon.
[Tech info:] Fuji GW690, Fuji Acros 100 film, developed in Rodinal 1+25.
This set of pictures is from my first visit to the Black Country Living Museum in Dudley. It’s a great place to visit, especially for photography and as the entrance ticket is valid for return visits for a whole year I’m already looking forward to going back there. For sale in the gift shop was a filming locations map for a tv show called Peaky Blinders which is partly filmed there and although I haven’t watched it I can see how the living museum could easily be transformed into a film set.
[Tech info:] Rolleiflex 2.8F Zeiss Planar, Ilford HP5 @ ISO 800, developed in Kodak HC110 1+31.
Ricky Gervais came to the Oxford Union for a Q&A session with Michael Li – the president at the time – and I went along to do some photography to document the event. You can see the video here and I recommend it.
[Tech info:] Leica M6, 40/1.4 Voigtlander Nokton, Ilford HP5 @ ISO 1600, developed in Kodak HC-110 1+31, Pakon scans.
Behind the scenes during a Giffords Circus performance in University Parks, Oxford, June 2017. For this set of pictures I tried out a longer lens than I would usually use to give me some distance for more candid results. It also allowed me to stay out of the way as the performers were preparing for the opening of the show.
[Tech info:] Nikon FM2, 100/2.8 Series E lens, Kodak Supra 200 film (expired), developed in Fuji Xpress C41 kit, Pakon scans.
Behind the scenes photography from filming of Endeavour series 5, episode 5 in University Parks, Oxford, September 2017. The weather in the morning started off very overcast and dull which was a shame because the scenes due to be filmed called for nice sunny weather but in a stroke of luck the sun eventually burnt through the clouds to completely transform the location. These shots are from my first roll of the day before the sunshine arrived. As this was a new episode I decided to try something different in terms of lens choice for a change so instead of using my Voigtlander 40/1.4 Nokton lens I opted for my 35/2.8 Zeiss Biogon instead. My reasoning for this was that I wouldn’t be needing the speed of the 40/1.4 because there would be plenty of light and I wanted to more accurately compose in the viewfinder – the M6 displays 50mm frame lines when using a 40mm lens. I’m very pleased with the results and have used the images uncropped apart from one frame.
[Tech info:] Leica M6, Zeiss 35/2.8 Zeiss Biogon, Eastman Double X motion picture film, developed in Kodak D76 stock, Pakon scans.
