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What a difference a year makes

Saturday, December 31st, 2011

As I write this we’re minutes from the end of 2011 and as this is the last blog post of the year  I thought it appropriate to show something from the 1st day of this year. When the year began I was a 100% digital photographer. I hadn’t used film for around 7 years and had no intention of doing so but by the time March had come around I had been seeing more and more work from other photographers that I admired and the quality of their images had a look and feel all of their own, they had soul and the thing they all had in common was film. I’d spend hours working on my digital files with Photoshop and filters, trying to get the ‘film look’ but no matter how close I got, the images lacked a soul, that organic look and feel that you only get with film. In the end it dawned on me, if I wanted the film look then why not just shoot on film?

I learnt photography by using film in the mid 80’s so using it wasn’t anything new or scary and fortunately I had kept all of my old cameras. Going back to using film is one of the best decisions I’ve ever made and it’s given me a new love for photography and the craft of creating images that I never had in the 8 years I’ve been using digital. It was like coming home after being away for a very long time.

I’d like to thank everyone that’s visited this blog during the year, all of the people that have been kind enough to stop and be photographed and to all of the photographers out there that have inspired me to get back to the root of photography and to fall in love with film, again. I’m excited about 2012, there are still tons of films in my backlog that haven’t been scanned yet so apologies if you’re waiting to see your portrait. I’m working on it 🙂

1st January 2011 (Nikon D700, digital).

Last portrait of 2011 (Mamiya RZ67, film).

Equipment: Aero Ektar

Monday, December 12th, 2011

The Aero Ektar lens was made by Kodak for the US Military to use for aerial photography during WWII. It’s a huge chunk of glass that has a fast aperture of f2.5 which for a large format lens is incredibly fast and the result is a shallow depth of field of around an inch with a very distinctive bokeh. The lens doesn’t have a shutter so it needs to be used on a camera with its own shutter. For this reason its perfectly suited for use with the Speed Graphic 5×4 camera that has a built in shutter at the back. I think my Speed Graphic is from the 1950’s so combined with this Aero Ektar lens this is a vintage camera setup that is still going strong.

Speed Graphic with Aero Ektar lens

Speed Graphic with Aero Ektar lens

This image was made with the setup above. It's a heavy rig that is a little slow to use so hand holding it is not really an option. Fortunately for me this student was promoting a play so he wasn't going anywhere fast and was kind enough to stand still for this portrait.